"Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio" by Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris was released on January 22, 2016. Since Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Renaud Capuçon, Paavo Järvi, Orchestre de Paris's "Lalo: Symphonie espagnole - Bruch: Violin Concerto" album is number 8 out of 9. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio by Max Bruch, Renaud Capuçon, Paavo Järvi, Orchestre de Paris to be Andante (at a walking pace) because the track has a tempo of 91 BPM, a half-time of 46BPM, and a double-time of 182 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Piano Concerto No. 21 in C Major, K. 467: II. Andante | Wolfgang Amadeus Mozart, Simone Dinnerstein, José Antonio Méndez Padrón | F Major | 0 | 7B | 182 BPM | ||
A Chloris (Arr. Milstein) | Reynaldo Hahn, Maria Milstein, Nathalia Milstein | E Major | 0 | 12B | 100 BPM | ||
String Quartet No. 2 in D Major: III. Nocturne. Andante (Arr. for Violin & Orchestra) | Alexander Borodin, Frank Brieff, Isaac Stern, Columbia Symphony Orchestra | A Major | 2 | 11B | 102 BPM | ||
Andante festivo for Strings and Timpani, JS 34b | Jean Sibelius, Lahti Symphony Orchestra, Osmo Vänskä | G Major | 2 | 9B | 65 BPM | ||
Grieg: Peer Gynt, Op. 23, Act IV: No. 18, Solveig's Song | Edvard Grieg, Paavo Järvi, Camilla Tilling, Estonian National Symphony Orchestra | A Minor | 1 | 8A | 169 BPM | ||
Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso | Frédéric Chopin, Khatia Buniatishvili, Paavo Järvi, Orchestre de Paris | F Minor | 1 | 4A | 73 BPM | ||
Beau Soir, L. 6 | Claude Debussy, Janine Jansen, Itamar Golan | F♯ Minor | 0 | 11A | 88 BPM | ||
Gabriel's Oboe (From "The Mission") | Ennio Morricone, Renaud Capuçon, Stéphane Denève, Brussels Philharmonic | D Major | 2 | 10B | 86 BPM | ||
Waldszenen, Op. 82: I. Eintritt im Walde | Robert Schumann, Arcadi Volodos | B♭ Major | 0 | 6B | 113 BPM | ||
Symphony No. 3, Op. 56, "Scottish": IV. Allegro vivacissimo - Allegro maestoso assai | Felix Mendelssohn, Tonhalle-Orchester Zürich, Paavo Järvi | E Major | 1 | 12B | 72 BPM |
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