"Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola)" by Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien was released on February 24, 2017. Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) is about six minutes long, preciously at 6:15, making this song fairly long compared to other songs. The song is number 9 out of 10 in Bel Canto: The Voice of the Viola by Antoine Tamestit, Cédric Tiberghien. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola)'s popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Norma, Act I, Scene 1: Air de Norma "Casta Diva" (Arr. for Piano & Viola) by Vincenzo Bellini, Antoine Tamestit, Cédric Tiberghien is Allegro (fast, quick, and bright), since this song has a tempo of 141 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with jogging or cycling. The time signature for this track is 4/4.
The music key of this track is F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Clarinet Concerto in A Major, K. 622: Clarinet Concerto in A Major, K. 622/II. Adagio | Wolfgang Amadeus Mozart, Martin Fröst, Swedish Chamber Orchestra | D Major | 0 | 10B | 78 BPM | ||
Adagio for Mandolin and Harpsichord in E Flat Major, WoO 43b (Transcr. for Mandolin and Harp) | Ludwig van Beethoven, Avi Avital, Anneleen Lenaerts | E♭ Major | 0 | 5B | 80 BPM | ||
Il Pirata, Act I: Ebben?... Verrà | Vincenzo Bellini, Felice Romani, Marina Rebeka, Sonia Fortunato, Fabricio Maria Carminati, Orchestra del Teatro Massimo Bellini di Catania | F Major | 3 | 7B | 171 BPM | ||
Six Songs for Cello and Piano: 4. Wiegenlied, Op. 49 No. 4 (Arr. for cello and piano) | Johannes Brahms, Emmanuelle Bertrand, Pascal Amoyel | F Major | 0 | 7B | 116 BPM | ||
Pavane, Op. 50 (arr. H. Busser for cello and piano) | Gabriel Fauré, Henri Büsser, Ina-Esther Joost Ben-Sasson, Allan Sternfield | F♯ Minor | 1 | 11A | 149 BPM | ||
Chanson de nuit, Op.15 No.1 | Edward Elgar, Hallé, Sir Mark Elder | G Major | 0 | 9B | 80 BPM | ||
Songs My Mother Taught Me, Op. 55, No. 4 (Arr. for Violin and Orchestra) | Antonín Dvořák, Joshua Bell, Michael Stern, Academy of St. Martin in the Fields | D Major | 2 | 10B | 102 BPM | ||
Lyric Pieces Book I, Op. 12: No. 7 Album Leaf | Edvard Grieg, Alice Sara Ott | D Major | 2 | 10B | 121 BPM | ||
Handel: Suite No. 4 in D Minor, HWV 437: III. Sarabande | George Frideric Handel, Jupiter, Thomas Dunford | D♭ Minor | 1 | 12A | 76 BPM | ||
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM |
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