"L'Africaine / Act 4: "Mi batte il cor... O Paradiso!"" by Giacomo Meyerbeer, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis was released on January 1, 1988. The duration of L'Africaine / Act 4: "Mi batte il cor... O Paradiso!" is about 3 minutes long, at 3:29. Based on our data, "L'Africaine / Act 4: "Mi batte il cor... O Paradiso!"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 31 in the song's album "Tutto Pavarotti". In this album, this song's track order is #8. In terms of popularity, L'Africaine / Act 4: "Mi batte il cor... O Paradiso!" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With L'Africaine / Act 4: "Mi batte il cor... O Paradiso!" by Giacomo Meyerbeer, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan | F♯ Major | 2 | 2B | 92 BPM | ||
The Thieving Magpie - From “A Clockwork Orange" | Gioachino Rossini, National Philharmonic Orchestra, Riccardo Chailly | E Major | 2 | 12B | 89 BPM | ||
Musica proibita | Stanislao Gastaldon, Luciano Pavarotti, Henry Mancini, Unknown Orchestra | D Major | 4 | 10B | 76 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Roberto Alagna, Orchestra of the Royal Opera House, Covent Garden, Sir Mark Elder | C Major | 1 | 8B | 91 BPM | ||
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono | Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Minor | 1 | 4A | 92 BPM | ||
L'elisir d'amore / Act I: "Quanto è bella" | Gaetano Donizetti, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | C Major | 2 | 8B | 80 BPM | ||
Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | ||
La fille du régiment / Act 2: "Tous les trois réunis, quel plaisir mes amis!" | Gaetano Donizetti, Dame Joan Sutherland, Luciano Pavarotti, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | D Major | 2 | 10B | 95 BPM | ||
Otello: Ave Maria (Atto IV) | Montserrat Caballé, Royal Philharmonic Orchestra, Anton Guadagno, Elizabeth Bainbridge | A♭ Major | 0 | 4B | 88 BPM |
Section: 0.8077077865600586
End: 0.8112502098083496