"La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare"" by Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1973. La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" is about six minutes long, preciously at 6:08, making this song fairly long compared to other songs. There are a total of 31 in the song's album "Puccini: La Bohème". In this album, this song's track order is #8. In terms of popularity, La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La Bohème / Act 3: "Dunque: è proprio finita!...Addio, dolce svegliare" by Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Elizabeth Harwood, Rolando Panerai, Berliner Philharmoniker, Herbert von Karajan having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Giovanni, ossia Il dissoluto punito, K.527 / Act 1: "Or sai chi l'onore" | Wolfgang Amadeus Mozart, Anna Tomowa-Sintow, Berliner Philharmoniker, Herbert von Karajan | D Major | 2 | 10B | 104 BPM | ||
L'elisir d'amore / Act 2: Alto! Fronte! | Gaetano Donizetti, Dominic Cossa, Dame Joan Sutherland, Spiro Malas, Luciano Pavarotti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | G Major | 2 | 9B | 119 BPM | ||
Lucia di Lammermoor / Act 1: "Qui di sposa eterna...Ah! Verrano a te sull'aure" | Luciano Pavarotti, Nancy Gustafson, Orchestra del Teatro Comunale di Bologna, Leone Magiera | B♭ Major | 4 | 6B | 67 BPM | ||
La Gioconda / Act 2: "Cielo e mar!" | Amilcare Ponchielli, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | E♭ Major | 2 | 5B | 84 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 2 | 2B | 85 BPM | ||
Carmen / Act 2: Messieurs les officiers, je vous en supplie | Georges Bizet, Robert Manuel, Jean-Noel Sissia, Tony Jacquot, Maria Laborit, Isabelle Karajan, Claudine Coster, Alain Hitier, Berliner Philharmoniker, Herbert von Karajan, Choeur de l'Opéra de Paris | E Major | 1 | 12B | 98 BPM | ||
Bizet: Carmen / Act 2 - "La fleur que tu m'avais jetée" | Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | G Minor | 3 | 6A | 131 BPM | ||
L'Arlesiana / Act 2: "È la solita storia del pastore" | Francesco Cilea, Luciano Pavarotti, Vienna Opera Orchestra & Chorus, Nicola Rescigno | A Minor | 1 | 8A | 93 BPM | ||
Rigoletto - Bella Figlia Dell'Amore | Luciano Pavarotti, Adriana Lazzarini, Piero Cappuccilli, Margherita Rinaldi | D♭ Major | 2 | 3B | 61 BPM | ||
Un ballo in maschera / Act 3: "Forse la soglia attinse" | Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti | A♭ Major | 1 | 4B | 90 BPM |
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