"Bizet: Carmen / Act 2 - "La fleur que tu m'avais jetée"" by Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera was released on 2004. With this song being around four minutes long, at 4:27, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 31 in the song's album "The Very Best of Pavarotti (2 CDs + DVD)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Bizet: Carmen / Act 2 - "La fleur que tu m'avais jetée"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Bizet: Carmen / Act 2 - "La fleur que tu m'avais jetée" by Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Madame Butterfly: "Addio fiorito asil" | Mario del Monaco | D♭ Major | 4 | 3B | 88 BPM | ||
Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | ||
Act II: Barcarolle: Belle nuit | Jacques Offenbach, Anton Guadagno | D Major | 1 | 10B | 114 BPM | ||
Così celeste | Zucchero, Luciano Pavarotti, Piccolo Coro "Mariele Ventre" Dell'Antoniano, Mariele Ventre, Orchestra filarmonica di Torino, Michael Kamen | A♭ Major | 5 | 4B | 81 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | E Major | 0 | 12B | 90 BPM | ||
Se Bastasse Una Canzone | Luciano Pavarotti, Eros Ramazzotti, Steve Gadd, Pino Palladino, Rob Mathes, Robbie Kondor, Orchestra filarmonica di Torino, Marco Boemi | C Major | 7 | 8B | 172 BPM | ||
Una Furtiva Lagrima | Luciano Pavarotti | B♭ Minor | 2 | 3A | 88 BPM | ||
Merope: Sposa, non mi conosci | Geminiano Giacomelli, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Minor | 0 | 9A | 114 BPM | ||
La traviata / Act 3: "Parigi, o cara, noi lasceremo" - Live | Giuseppe Verdi, Luciano Pavarotti, Mirella Freni, Orchestra dell'ater, Leone Magiera | A♭ Major | 2 | 4B | 168 BPM |
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