Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire made "Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs)" available on 1965. With Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) being less than two minutes long, at 1:12, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 49 in the song's album "Offenbach - Les Contes d'Hoffmann". In this album, this song's track order is #2. In terms of popularity, Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) by Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire having a BPM of 101 with a half-time of 50 BPM and a double-time of 202 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nacht und Träume, D. 827 | Franz Schubert, Renée Fleming, Christoph Eschenbach | F♯ Major | 0 | 2B | 59 BPM | ||
Symphony No. 4 in G Major: IV. Sehr behaglich | Gustav Mahler, Lynda Russell, Polish National Radio Symphony Orchestra, Antoni Wit | E Minor | 0 | 9A | 122 BPM | ||
Les Contes d'Hoffmann (2003 - Remaster), Act III: Cher ange! (Dapertutto/Giulietta) | Jacques Offenbach, Elisabeth Schwarzkopf/Ernest Blanc/Orchestre de la Société des Concerts du Conservatoire/André Cluytens, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | G Minor | 2 | 6A | 172 BPM | ||
Rinaldo / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket | E Major | 2 | 12B | 92 BPM | ||
Carmen (1997 - Remaster), Act II: Enfin c'est toi!...Tout doux, Monsieur | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | F Major | 1 | 7B | 83 BPM | ||
Traditional / Arr. Moore: Blow the Wind Southerly (Live) | Traditional, Gerald Moore, Victoria de los Ángeles | G Major | 2 | 9B | 74 BPM | ||
Kindertotenlieder: No. 4, Oft denk' ich, sie sind nur ausgegangen | Gustav Mahler, Bruno Walter, Wiener Philharmoniker, Kathleen Ferrier | B♭ Minor | 2 | 3A | 121 BPM | ||
La bohème (2002 Digital Remaster), Act Two: Viva Parpignol! (Coro/Marcello/Mimi/Schaunard/Colline/Rodolfo) | Sir Thomas Beecham, Robert Merrill, Giorgio Tozzi, RCA Victor Orchestra, RCA Victor Chorus, John Reardon, Victoria de los Ángeles, Jussi Björling | A Major | 2 | 11B | 85 BPM | ||
Carmen: Act II: Toreador Song: Votre toast, je peux vous le rendre | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | F Minor | 4 | 4A | 115 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM |
Section: 0.7895205020904541
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