"Rinaldo / Act 2: "Lascia ch'io pianga"" by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket was released on January 1, 2004. With this song being around four minutes long, at 4:24, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 17 in the song's album "Renée Fleming - Handel Arias". In this album, this song's track order is #7. In terms of popularity, Rinaldo / Act 2: "Lascia ch'io pianga" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Rinaldo / Act 2: "Lascia ch'io pianga" by George Frideric Handel, Renée Fleming, Orchestra of the Age of Enlightenment, Harry Bicket having a BPM of 92 with a half-time of 46 BPM and a double-time of 184 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 5/4.
This song is in the music key of E Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Orphée et Eurydice: J'ai perdu mon Eurydice | Maria Callas, Georges Prêtre, The Orchestra National De La Radiodiffusion Francaise | C Major | 2 | 8B | 71 BPM | ||
Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
Soave sia il vento | Amici forever | E Major | 3 | 12B | 77 BPM | ||
Fauré: Requiem, Op. 48: II. Offertoire | Gabriel Fauré, Matthias Goerne, Choeur de l'Orchestre de Paris, Orchestre de Paris, Paavo Järvi | D Major | 0 | 10B | 83 BPM | ||
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Mir ist so wunderbar | Ludwig van Beethoven, Rachel Harnisch, Nina Stemme, Christof Fischesser, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | ||
L'incoronazione di Poppea / Act 3: Pur ti miro | Claudio Monteverdi, Danielle de Niese, Andreas Scholl, The English Concert, Harry Bicket | A Major | 1 | 11B | 100 BPM | ||
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 97 BPM | ||
Stabat Mater, P. 77: 1. Stabat Mater dolorosa | Giovanni Battista Pergolesi, June Anderson, Cecilia Bartoli, Sinfonietta de Montréal, Charles Dutoit | C Minor | 1 | 5A | 82 BPM | ||
Vier Lieder, Op. 27, TrV 170: 4. Morgen | Richard Strauss, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 3 | 9B | 76 BPM | ||
Aus Liebe will mein Heiland sterben | Johann Sebastian Bach, Elin Manahan Thomas, Orchestra of the Age of Enlightenment, Harry Christophers | A♭ Minor | 0 | 1A | 95 BPM |
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