"Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra)" by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson was released on April 1, 1999. Since Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Dame Janet Baker, Valerie Masterson, James Bowman, Della Jones, Sarah Walker, John Tomlinson's "Handel: Julius Caesar" album is number 5 out of 58. On top of that, United Kingdom appears to be the country where this track was created. Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) by George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Overture to "A Midsummer Night's Dream", Op. 21: Tempo primo | Felix Mendelssohn, John Eliot Gardiner, London Symphony Orchestra | E Major | 0 | 12B | 140 BPM | ||
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) | Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra | A♭ Major | 1 | 4B | 79 BPM | ||
Dixit Dominus Domino meo | George Frideric Handel, The Scholars Baroque Ensemble | F♯ Minor | 2 | 11A | 102 BPM | ||
Prelude to "Irmelin" | Frederick Delius, Welsh National Opera Orchestra, Sir Charles Mackerras | D Major | 1 | 10B | 87 BPM | ||
Violin Concerto BWV 1041 in A Minor: Violin Concerto BWV 1041 in A Minor: III. Allegro assai | Johann Sebastian Bach, Freiburger Barockorchester, Petra Mullejans | A♭ Minor | 3 | 1A | 130 BPM | ||
Concerto grosso No. 1 in D Major, Op. 6: II. Largo - Allegro | Arcangelo Corelli, Gli Incogniti, Amandine Beyer, Helena Zemanova | D♭ Major | 2 | 3B | 146 BPM | ||
Spartacus, Act III: Adagio of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version] | Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | E Major | 2 | 12B | 123 BPM | ||
Cello Concerto: Becoming slower - | Frederick Delius, Raphael Wallfisch, Sir Charles Mackerras, Royal Liverpool Philharmonic Orchestra | F♯ Minor | 0 | 11A | 80 BPM | ||
Gloria in D, RV 589: II. Et in terra pax hominibus | Antonio Vivaldi, Choir of King's College, Cambridge, Stephen Cleobury, Academy of Ancient Music | B♭ Minor | 2 | 3A | 130 BPM | ||
Julius Caesar, HWV 17, Act III Scene 2: Ladies, my faithful servants (Cleopatra, Caesar) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson, Dame Janet Baker | B♭ Minor | 0 | 3A | 101 BPM |
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