- BPM
- 79
- Key
- A♭ Major
- Camelot
- 4B
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) - Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra Information
- Acousticness
- 99%
- Danceability
- 30%
- Energy
- 10%
- Instrumentalness
- 1%
- Liveness
- 6%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 5%
- Popularity
- 26%
- Loudness
- -19.334 dB
Summary
"Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora)" by Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra was released on 2002. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Verdi: Il trovatore by Giuseppe Verdi, Antonio Pappano. The song's track number on the album is #13 out of 58 tracks. Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) BPM
Since Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) by Giuseppe Verdi, Antonio Pappano, Angela Gheorghiu, London Symphony Orchestra has a tempo of 79 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) being at 79 BPM, the half-time would be 40 BPM with a double-time of 158 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
Verdi: Il trovatore, Act 4: "D'amor sull'ali rosee" (Leonora) Key
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Puccini: Messa di Gloria: XVI. Agnus Dei qui tollis peccata mundi | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano, Roberto Alagna, Thomas Hampson | C Major | 1 | 8B | 136 BPM | |
 | Wiegenlied | Johannes Brahms, Bryn Terfel, London Symphony Orchestra, Barry Wordsworth | E♭ Major | 1 | 5B | 69 BPM | |
 | Messa di Gloria, Op.posth., Sanctus & Benedictus: Sanctus Dominus Deus sabaoth | Giacomo Puccini, London Symphony Chorus, London Symphony Orchestra, Antonio Pappano | G Major | 1 | 9B | 137 BPM | |
 | Simon Boccanegra / Act 3: Evviva il Doge! (Coro, Capitano, Fiesco, Paolo) | Giuseppe Verdi, Antonio Savastano, Nicolai Ghiaurov, José van Dam, Orchestra Del Teatro Alla Scala, Milano, Claudio Abbado | A♭ Major | 2 | 4B | 72 BPM | |
 | Tsar Saltan, Op. 57: Flight of the Bumblebee | Nikolai Rimsky-Korsakov, André Previn, London Symphony Orchestra | A Minor | 1 | 8A | 83 BPM | |
 | Die lustige Witwe (The Merry Widow) (2000 - Remaster): XIV. Lippen schweigen (Danilo/Hanna) | Franz Lehár, Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Lovro von Matacic, Eberhard Waechter, Lovro Von Matacic, Philharmonia Orchestra | G Major | 1 | 9B | 85 BPM | |
 | Mozart: Le nozze di Figaro, K. 492, Act 2: "Voi, che sapete che cosa è amor" (Cherubino) | Wolfgang Amadeus Mozart, Riccardo Muti, Ann Murray, Wiener Philharmoniker | B♭ Major | 1 | 6B | 111 BPM | |
 | La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Angela Gheorghiu, Roberto Alagna, Roberto de Candia, Ildebrando D'Arcangelo, Simon Keenlyside, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | D Major | 0 | 10B | 75 BPM | |
![La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Ach, sie kennen nicht dies Leben [Non Sapete Quale Affetto] (Germont, Violetta) by Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Josef Metternich/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin](https://i.scdn.co/image/ab67616d00001e02909a0eb4f0dcd06850ec55f6) | La Traviata · Oper in 3 Akten · Arien und Szenen in deutscher Sprache (2001 - Remaster), Zweiter Akt: - Ach, sie kennen nicht dies Leben [Non Sapete Quale Affetto] (Germont, Violetta) | Francesco Maria Piave, Giuseppe Verdi, Melitta Muszely /Josef Metternich/Orchester der Deutschen Staatsoper Berlin/Wilhelm Schüchter, Wilhelm Schuechter, Wilhelm Schüchter, Orchester Der Deutschen Staatsoper Berlin | F Minor | 2 | 4A | 136 BPM | |
 | Tannhäuser, WWV 70 / Act 2: "Dich, teure Halle, grüß ich wieder" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | E Minor | 2 | 9A | 169 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 2.605836868286133
End: 2.6096575260162354