"Andrea Chénier / Act 4: "Come un bel dì di maggio"" by Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly was released on January 1, 2007. The duration of Andrea Chénier / Act 4: "Come un bel dì di maggio" is about 3 minutes long, at 3:09. Based on our data, "Andrea Chénier / Act 4: "Come un bel dì di maggio"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 153 in the song's album "Pavarotti Studio Albums". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Andrea Chénier / Act 4: "Come un bel dì di maggio" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Andrea Chénier / Act 4: "Come un bel dì di maggio" by Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Riccardo Chailly having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Andrea Chenier: La mamma morta | Umberto Giordano, Lila Larinova, Slovak Radio Symphony Orchestra, Johannes Wildner | E♭ Major | 0 | 5B | 89 BPM | ||
Serenata | Pietro Mascagni, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | G Minor | 2 | 6A | 86 BPM | ||
La Traviata - Act. Iii - Parigi, O Cara Noi Lasceremo… | Renata Scotto, Luciano Pavarotti | A♭ Major | 0 | 4B | 167 BPM | ||
Un ballo in maschera: "La rivedrà nell' estasi" | Giuseppe Verdi, Luciano Pavarotti, Kathleen Battle, Robert Lloyd, Malcolm King, The London Opera Chorus, National Philharmonic Orchestra, Sir Georg Solti | B♭ Minor | 1 | 3A | 72 BPM | ||
Un amore così grande | Guido Maria Ferilli, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | F Major | 3 | 7B | 79 BPM | ||
La Belle Hélène: Au mont Ida trois deesses | Angela Gheorghiu, Richard Armstrong, Roberto Alagna | B♭ Major | 1 | 6B | 177 BPM | ||
Non t'amo più | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | B♭ Minor | 1 | 3A | 80 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
'A vucchella - Live | Francesco Paolo Tosti, Luciano Pavarotti, John Wustman | F Major | 1 | 7B | 92 BPM | ||
Core 'ngrato (Arr, Schifrin) - Live | Salvatore Cardillo, José Carreras, Plácido Domingo, Luciano Pavarotti, Orchestre de Paris, James Levine | E♭ Major | 2 | 5B | 76 BPM |
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