"Un ballo in maschera / Act 3: "Forse la soglia attinse"" by Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti was released on January 1, 2001. The duration of Un ballo in maschera / Act 3: "Forse la soglia attinse" is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Un ballo in maschera / Act 3: "Forse la soglia attinse"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 19 in the song's album "The Pavarotti Edition, Vol.4: Verdi". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Un ballo in maschera / Act 3: "Forse la soglia attinse" is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Un ballo in maschera / Act 3: "Forse la soglia attinse" by Giuseppe Verdi, Luciano Pavarotti, National Philharmonic Orchestra, Sir Georg Solti having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'amico Fritz / Act 2: "Suzel, buon di" | Pietro Mascagni, Cecilia Bartoli, Luciano Pavarotti, London Voices, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | A Major | 1 | 11B | 71 BPM | ||
Mefistofele / Epilogue: "Ogni mortal mister..Giunto sul passo estremo" | Arrigo Boito, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | A♭ Major | 1 | 4B | 86 BPM | ||
Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" | Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera | A♭ Major | 2 | 4B | 174 BPM | ||
L'elisir d'amore / Act 2: "Una furtiva lagrima" | Gaetano Donizetti, Luciano Pavarotti, English Chamber Orchestra, Richard Bonynge | B♭ Major | 1 | 6B | 166 BPM | ||
O tu che in seno agli Angeli | Mario del Monaco | D Major | 2 | 10B | 93 BPM | ||
Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | ||
La fille du régiment / Act 1: Le camarade est amoureux! | Gaetano Donizetti, Eric Garrett, Luciano Pavarotti, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | F Major | 3 | 7B | 131 BPM | ||
L'ultima canzone | Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | D Major | 2 | 10B | 72 BPM | ||
Mascagni: L'amico Fritz, Act 2 Scene 2: Duetto delle ciliege, "Suzel, buon dì" (Fritz, Suzel) | Pietro Mascagni, Mirella Freni, Luciano Pavarotti, Orchestra of the Royal Opera House, Covent Garden, Gianandrea Gavazzeni | A Major | 1 | 11B | 76 BPM | ||
Norma / Act 1: "Meco all'altar di Venere" | Vincenzo Bellini, Luciano Pavarotti, Kim Begley, Chorus of the Welsh National Opera, Orchestra of the Welsh National Opera, Richard Bonynge | C Minor | 3 | 5A | 62 BPM |
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