"Mefistofele / Epilogue: "Ogni mortal mister..Giunto sul passo estremo"" by Arrigo Boito, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera was released on January 1, 1971. With this song being about 5 minutes long, at 4:36, "Mefistofele / Epilogue: "Ogni mortal mister..Giunto sul passo estremo"" by Arrigo Boito, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 9 in the song's album "Tenor Arias from Italian Opera". In this album, this song's track order is #4. Mefistofele / Epilogue: "Ogni mortal mister..Giunto sul passo estremo" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mefistofele / Epilogue: "Ogni mortal mister..Giunto sul passo estremo" by Arrigo Boito, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen: Act I: Dans l'air nous suivons des yeux la fumee | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | E Major | 1 | 12B | 78 BPM | ||
La fille du régiment / Act 1: Au bruit de la guerre | Gaetano Donizetti, Dame Joan Sutherland, Spiro Malas, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 2 | 9B | 120 BPM | ||
Adriana Lecouvreur / Act 2: L'anima ho stanca | Francesco Cilea, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | B Minor | 2 | 10A | 175 BPM | ||
Bizet: Carmen, WD 31, Act 2: "La fleur que tu m'avais jetée" (Don José) | Georges Bizet, Lorin Maazel, Orchestre National De France | D Major | 2 | 10B | 99 BPM | ||
Bizet: Carmen, Act 1: "Mais nous ne voyons pas la Carmencita!" "Quand je vous aimerai?" (Jeunes gens, Dragons, Cigarières, Carmen) | Georges Bizet, Sir Simon Rattle, Berliner Philharmoniker, Chor des Deutschen Staatsoper, Chor und Kinderchor der Deutschen Staatsoper Berlin, Eberhard Friedrich, Magdalena Kozená, Vinzenz Weissenburger | F Minor | 1 | 4A | 86 BPM | ||
Musica proibita | Stanislao Gastaldon, Luciano Pavarotti, Henry Mancini, Unknown Orchestra | D Major | 4 | 10B | 76 BPM | ||
Marechiare | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | C Major | 2 | 8B | 132 BPM | ||
Tu, ca nun chiagne! | Ernesto de Curtis, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | A Minor | 2 | 8A | 90 BPM | ||
Questa o quella | Mario del Monaco | D♭ Major | 3 | 3B | 98 BPM | ||
Manon / Act 2: Adieu, notre petite table | Jules Massenet, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | G Minor | 1 | 6A | 97 BPM |
Section: 0.6370007991790771
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