"Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure"" by Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera was released on January 1, 1974. With this song being about 5 minutes long, at 5:28, "Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure"" by Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 10 in the song's album "The World's Favourite Tenor Arias". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. The popularity of Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" is currently below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Faust, CG 4 / Act 3: "Quel trouble inconnu...Salut! Demeure chaste et pure" by Charles Gounod, Luciano Pavarotti, Vienna Volksoper Orchestra, Leone Magiera having a BPM of 174 with a half-time of 87 BPM and a double-time of 348 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ai giocchi addio | Nino Rota, Luciano Pavarotti, Andrea Griminelli, The London Film Orchestra, Gavyn Wright | F Major | 3 | 7B | 171 BPM | ||
Cavalleria rusticana: "Viva il vino spumeggiante" | Pietro Mascagni, Luciano Pavarotti, Carmen Gonzales, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | G Major | 4 | 9B | 91 BPM | ||
Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
Pelléas et Mélisande, L.88 / Act 3: "Mes longs cheveux descendent" | Claude Debussy, Francois Le Roux, Maria Ewing, Wiener Philharmoniker, Claudio Abbado | A Minor | 1 | 8A | 123 BPM | ||
Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | ||
L'elisir d'amore, Act. I - Quanto è bella quanto è cara | Gaetano Donizetti, Luciano Pavarotti, Leone Magiera, Orchestra Da Camera Di Bologna | C Major | 3 | 8B | 70 BPM | ||
Addio fiorito asil | Carlo Bergonzi | D♭ Major | 2 | 3B | 74 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | ||
Manon / Act 3: Io son sol...Ah! Dispar vision | Jules Massenet, Luciano Pavarotti, New York Philharmonic, Zubin Mehta | E♭ Major | 3 | 5B | 163 BPM | ||
Granada | Agustín Lara, Luciano Pavarotti, Royal Philharmonic Orchestra, Maurizio Benini | E♭ Major | 4 | 5B | 98 BPM |
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