"L'ultima canzone" by Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba was released on January 1, 1983. With this song being around four minutes long, at 4:15, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Luciano Pavarotti, New Philharmonia Orchestra, Piero Gamba's "Mattinata" album is number 11 out of 14. On top of that, United Kingdom appears to be the country where this track was created. L'ultima canzone is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of L'ultima canzone by Francesco Paolo Tosti, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Soirées musicales: 8. La Danza - Remastered 2013 | Gioachino Rossini, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Richard Bonynge | F Major | 4 | 7B | 73 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Beverly Sills, Paul Plishka, John Alldis Choir, New Philharmonia Orchestra, James Levine | G Major | 1 | 9B | 87 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
L'elisir d'amore / Act I: "Quanto è bella" | Gaetano Donizetti, Dawn Upshaw, Luciano Pavarotti, Metropolitan Opera Chorus, Metropolitan Opera Orchestra, James Levine | C Major | 2 | 8B | 80 BPM | ||
Rigoletto / Act 2: "Ella mi fu rapita...Parmi veder le lagrime" | Giuseppe Verdi, Luciano Pavarotti, London Symphony Orchestra, Richard Bonynge | D♭ Major | 2 | 3B | 89 BPM | ||
La traviata, Act 1: "Libiamo, ne' lieti calici" (Live) | Dame Joan Sutherland, Luciano Pavarotti | B♭ Major | 2 | 6B | 79 BPM | ||
Danza, Danza Fanciulla | Francesco Durante, Luciano Pavarotti, National Philharmonic Orchestra, Antonio Tonini | B♭ Minor | 4 | 3A | 99 BPM | ||
Nel blu, dipinto di blu | Domenico Modugno, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Henry Mancini | B Minor | 2 | 10A | 131 BPM | ||
Henry V - Suite (arr. Mathieson): IV. Touch her soft lips and part | William Walton, Philharmonia Orchestra | C Major | 0 | 8B | 71 BPM | ||
La Bohème / Act 2: "Arranci, datteri!" | Giacomo Puccini, Rolando Panerai, Gianni Maffeo, Luciano Pavarotti, Mirella Freni, Schöneberger Sängerknaben, Chor der Deutschen Oper Berlin, Berliner Philharmoniker, Herbert von Karajan | F Major | 5 | 7B | 108 BPM |
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