"Serse, HWV 40: Ombra mai fu" by George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini was released on October 16, 2020. The duration of Serse, HWV 40: Ombra mai fu is about 3 minutes long, at 3:23. Based on our data, "Serse, HWV 40: Ombra mai fu" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in Handel: Serse, HWV 40: Ombra mai fu and no other songs are present in the album, we classify this track as a single. Based on our statistics, Serse, HWV 40: Ombra mai fu's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serse, HWV 40: Ombra mai fu by George Frideric Handel, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lully : Ballet des Muses : "Trop indiscret Amour" [Euridice] | Jean-Baptiste Lully, William Christie, Les Arts Florissants | F Minor | 1 | 4A | 71 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Offenbach: Les Contes d'Hoffmann, Act 4: "Belle nuit, ô nuit d'amour" (Barcarolle) [Nicklausse, Giulietta, Chorus] | Jacques Offenbach, Sylvain Cambreling, Ann Murray, Jessye Norman, Orchestre De L'Opéra National Du Théatre Royal De La Monnaie, Bruxelles | D Major | 1 | 10B | 81 BPM | ||
Sinfonia melodica in C Major, TWV 50:2: VI. Chaconnette | Georg Philipp Telemann, Indianapolis Baroque Orchestra, Barthold Kuijken | A♭ Major | 3 | 4B | 140 BPM | ||
Rinaldo, HWV 7, Act II Scene 4: Lascia Ch'io Pianga (Let me Lament) | Camerata De Budapest, Ingrid Kertesi, George Frideric Handel | F Major | 1 | 7B | 172 BPM | ||
Was mir behagt, ist nur die muntre Jagd, Cantata BWV 208: Aria: Schafe können sicher weiden | Johann Sebastian Bach, Magdalena Kozená, Musica Florea, Marek Stryncl | E♭ Major | 0 | 5B | 69 BPM | ||
Il Medo / Act 1: Cervo in bosco | Leonardo Vinci, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D♭ Major | 2 | 3B | 133 BPM | ||
Gianni Schicchi: "O mio babbino caro" | Giacomo Puccini, Anna Netrebko, Royal Philharmonic Orchestra, Jader Bignamini | A Major | 1 | 11B | 84 BPM | ||
Oboe Concerto in D Minor, Op. 9, No. 2: II. Adagio | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | B♭ Major | 1 | 6B | 75 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM |
Section: 1.1228749752044678
End: 1.1263792514801025