"Andrea Chénier / Act III: "La mamma morta"" by Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano was released on September 2, 2016. With this song being about 5 minutes long, at 4:58, "Andrea Chénier / Act III: "La mamma morta"" by Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. This song is part of Verismo by Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano. The song's track number on the album is #2 out of 16 tracks. Andrea Chénier / Act III: "La mamma morta" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Andrea Chénier / Act III: "La mamma morta" by Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano has a tempo of 76 beats per a minute, the tempo markings of this song would be Adagio (slowly with great expression). With Andrea Chénier / Act III: "La mamma morta" being at 76 BPM, the half-time would be 38 BPM with a double-time of 152 BPM.In addition, we consider the tempo speed to be pretty slow for this song. The time signature for this track is 3/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Respighi: Pini di Roma, P. 141: III. I pini del Gianicolo | Ottorino Respighi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | E Major | 0 | 12B | 81 BPM | ||
Orfeo ed Euridice (Orphée et Euridice), Wq. 30 / Act 3: "Che farò senza Euridice?" | Christoph Willibald Gluck, Janet Baker, English Chamber Orchestra, Raymond Leppard | D Major | 1 | 10B | 96 BPM | ||
Tosca | Renata Tebaldi, Chorus and Orchestra of the Accademia di Santa Cecilia, Rome, Francesco Molinari-Pradelli | D Major | 2 | 10B | 112 BPM | ||
Cavalleria Rusticana: "Regina coeli laetare" | Pietro Mascagni, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon, Latvian Radio Choir, Opernchor Saarbrücken | G Major | 2 | 9B | 86 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 2 | 11B | 102 BPM | ||
Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt | Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek | F Major | 4 | 7B | 89 BPM | ||
La Traviata, Teil 3 | La Traviata | B♭ Major | 0 | 6B | 0 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 3. Song with Chorus "You spotted snakes" | Felix Mendelssohn, Kathleen Battle, Frederica von Stade, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | A Major | 1 | 11B | 86 BPM | ||
La Bohème Atto I: "O soave fanciulla" | Giacomo Puccini, Jonas Kaufmann, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | G Major | 1 | 9B | 81 BPM |
Section: 0.6137146949768066
End: 0.61761474609375