Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek made "Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt" available on January 1, 2009. The duration of Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 17 in Anna - The Best of Anna Netrebko by Anna Netrebko. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Les Contes d'Hoffmann / Act 2: Barcarolle - Excerpt by Jacques Offenbach, Anna Netrebko, Elina Garanca, PKF – Prague Philharmonia, Emmanuel Villaume, Prague Philharmonic Choir, Lukás Vasilek is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Gaite Parisienne (after J. Offenbach): 23. Barcarolle | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | D Major | 0 | 10B | 113 BPM | ||
Madama Butterfly / Act II: "Un bel dì vedremo" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM | ||
Le alegria del battallon: Cancion de la gitana | Jose Serrano, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon | G Major | 2 | 9B | 124 BPM | ||
Adriana Lecouvreur / Act II: "Acerba voluttà, dolce tortura ... O vagabonda stella d'Oriente" | Francesco Cilea, Elina Garanca, Orquestra de la Comunitat Valenciana, Roberto Abbado | F Major | 2 | 7B | 177 BPM | ||
Gaite Parisienne (after J. Offenbach): 6. Allegro | Manuel Rosenthal, Monte-Carlo Philharmonic Orchestra | E Major | 2 | 12B | 144 BPM | ||
España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
Meyerbeer: Les Huguenots, Act 1: "Plus blanche que la blanche hermine" (Raoul, Chorus) | Giacomo Meyerbeer, Pene Pati, Chœur de l'Opéra National de Bordeaux, Stéphane Rougier, Emmanuel Villaume, Orchestre National Bordeaux Aquitaine | F Major | 0 | 7B | 69 BPM | ||
Mi fa male | Anna Netrebko | A Major | 4 | 11B | 82 BPM | ||
The Bartered Bride, JB 1:100, Act I, Scene 5: Finale. Polka and Chorus. Come On, Girl, Let's Be Merry ... | Bedřich Smetana, Czech Philharmonic Orchestra, Prague Philharmonic Choir, Zdeněk Košler, Josef Veselka | C Major | 2 | 8B | 97 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | E Major | 2 | 12B | 90 BPM |
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