Jose Serrano, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon made "Le alegria del battallon: Cancion de la gitana" available on January 1, 2010. With Le alegria del battallon: Cancion de la gitana being less than two minutes long, at 1:48, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon's "Habanera" album is number 16 out of 19. Based on our statistics, Le alegria del battallon: Cancion de la gitana's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Le alegria del battallon: Cancion de la gitana by Jose Serrano, Elina Garanca, Orchestra Sinfonica Nazionale Della RAI, Karel Mark Chichon to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Maria de Buenos Aires: Yo soy María (Arr. del Rey) | Astor Piazzolla, Elina Garanca, Juraj Cismarovic, Adrian Marrero, Adriana Ilieva, Diego Val, Hans Stockhausen, Johanne-Valerie Gelinas, Francisco Navarro, Nauzet Mederos, José Maria Gallardo del Rey | A Minor | 4 | 8A | 154 BPM | ||
Agnus Dei | Georges Bizet, Elina Garanca, Deutsche Radio Philharmonie Saarbrücken, Karel Mark Chichon | E♭ Major | 1 | 5B | 90 BPM | ||
Carmen, Act II: No.15 Quintette : Nous avons en tête une affaire (Le Dancaïro/Frasquita/Mercédès/Le Remendado/Carmen) | Georges Bizet, Nicolas Rivenq, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | D♭ Major | 2 | 3B | 77 BPM | ||
Puccini: Turandot, Act 2: "In questa Reggia" (Turandot) | Giacomo Puccini, Maria Callas, Tullio Serafin, Philharmonia Orchestra | D Major | 2 | 10B | 81 BPM | ||
Turandot / Act 1: "Signore, ascolta!" | Giacomo Puccini, Barbara Hendricks, Wiener Philharmoniker, Herbert von Karajan | F♯ Major | 0 | 2B | 106 BPM | ||
I Capuleti e i Montecchi / Act 1: "La tremenda ultrice spada" | Vincenzo Bellini, Elina Garanca, Ildebrando D'Arcangelo, Matthew Polenzani, Filarmonica del Teatro Comunale di Bologna, Roberto Abbado, Coro del Teatro Comunale di Bologna | G Major | 2 | 9B | 117 BPM | ||
Non ti scordar di me (Arr. Langley) | Ernesto de Curtis, Elina Garanca, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | G Major | 2 | 9B | 92 BPM | ||
La Canción del Olvido: "Pero, Capitán, ¿Qué Váis a Hacer?" | Federico Romero, G. Fernández Shaw, Jose Serrano, Gran Orquesta Sinfonica | D Major | 3 | 10B | 88 BPM | ||
La Canción del Olvido: Junto al Puente de la Peña (Canción de Leonello) - Remastered | Federico Romero, Guillermo Fernández-Shaw, Jose Serrano, Marcos Redondo | A♭ Major | 3 | 4B | 75 BPM | ||
Turandot: Act I: Signore, ascolta! | Giacomo Puccini, Masako Deguci, Giovanna Casolla, Lando Bartolini, Gorka Gerrikabeitia, Francisco Heredia, Javier Mas, Vicenc Esteve, Armando Ariostini, Jose Garcia-Quijada, Felipe Bou, Bilbao Choral Society, Malaga Philharmonic Orchestra, Alexander Rahbari | D Major | 2 | 10B | 125 BPM |
Section: 0.6087324619293213
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