Astor Piazzolla, Elina Garanca, Juraj Cismarovic, Adrian Marrero, Adriana Ilieva, Diego Val, Hans Stockhausen, Johanne-Valerie Gelinas, Francisco Navarro, Nauzet Mederos, José Maria Gallardo del Rey made "Maria de Buenos Aires: Yo soy María (Arr. del Rey)" available on May 10, 2019. The duration of Maria de Buenos Aires: Yo soy María (Arr. del Rey) is about 3 minutes long, at 3:18. Based on our data, "Maria de Buenos Aires: Yo soy María (Arr. del Rey)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 17 in the song's album "Sol y Vida". In this album, this song's track order is #13. Based on our statistics, Maria de Buenos Aires: Yo soy María (Arr. del Rey)'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Maria de Buenos Aires: Yo soy María (Arr. del Rey) by Astor Piazzolla, Elina Garanca, Juraj Cismarovic, Adrian Marrero, Adriana Ilieva, Diego Val, Hans Stockhausen, Johanne-Valerie Gelinas, Francisco Navarro, Nauzet Mederos, José Maria Gallardo del Rey having a BPM of 154 with a half-time of 77 BPM and a double-time of 308 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with running. The time signature for this track is 4/4.
A Minor is the music key of this track. Which also means that the camelot key for this song is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
El velorio | Ignacio Cervantes, Frank Fernández | B♭ Minor | 1 | 3A | 83 BPM | ||
Último Tango En Buenos Aires | Rubén Juárez | E Minor | 4 | 9A | 101 BPM | ||
María de Buenos Aires, Part I, Scene 8: "Misere canyengue de los ladrones antiguos" (Antiguo ladrón, María) | Astor Piazzolla, Martina Belli, Rubén Peloni, Daniel Bonilla-Torres, Orchestra La Corelli, Jacopo Rivani, Davide Vendramin | A Major | 2 | 11B | 118 BPM | ||
Tango Bitterness | Charlie Chaplin, Philippe Quint | G Minor | 2 | 6A | 98 BPM | ||
Fantasía para un Gentilhombre: IIa. Españoleta | Joaquín Rodrigo, Julian Bream, Leo Brouwer, RCA Victor Chamber Orchestra | A Minor | 0 | 8A | 88 BPM | ||
Vals De La Evocacion | Mariano Mores | A♭ Major | 4 | 4B | 71 BPM | ||
Otra Luna | Carlos Libedinsky | D Minor | 3 | 7A | 95 BPM | ||
In Bicicletta | Luis Bacalov | A Major | 2 | 11B | 106 BPM | ||
Toccata & Fugue in D Minor, BWV 566: II. Fugue - Arranged by Charl du Plessis | Johann Sebastian Bach, Charl du Plessis Trio | D Minor | 5 | 7A | 153 BPM | ||
Tango en Skaï | Roland Dyens, Miloš Karadaglić | A Minor | 1 | 8A | 137 BPM |
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