"La Traviata, Teil 3" by La Traviata was released on January 7, 2014. The duration of La Traviata, Teil 3 is about 3 minutes long, at 3:01. Based on our data, "La Traviata, Teil 3" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in La Traviata's "La Traviata (Hörspiel)" album is number 3 out of 28. La Traviata, Teil 3 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Traviata, Teil 3 by La Traviata to be Larghissimo because the track has a tempo of 0 BPM, a half-time of 0BPM, and a double-time of 0 BPM. Based on that, the speed of the song's tempo is slow.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Romeo and Juliette, Act I: Non! non! je ne veux pas t'écouter plus longtemps | Charles Gounod, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | G Major | 0 | 9B | 111 BPM | ||
Rusalka, Op. 114 / Act 1: Sem casto prichazi a v objeti mé stoupá | Antonín Dvořák, Renée Fleming, Franz Hawlata, Czech Philharmonic, Sir Charles Mackerras | F Major | 2 | 7B | 176 BPM | ||
Don Giovanni, K.527 / Act 1: "Là ci darem la mano" | Wolfgang Amadeus Mozart, Reri Grist, Dietrich Fischer-Dieskau, Orchestra Of The National Theatre Prague, Karl Böhm | A Minor | 3 | 8A | 168 BPM | ||
Handel: Giulio Cesare in Egitto, HWV 17, Act III: "Piangerò la sorte mia" (Cleopatra) | George Frideric Handel, Natalie Dessay, Le Concert d'Astrée, Emmanuelle Haïm | E♭ Major | 1 | 5B | 88 BPM | ||
Il Sedecia, Rè di Gerusalemme: "Caldo Sangue" | Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski | B♭ Minor | 0 | 3A | 82 BPM | ||
Samson et Dalila / Act 2: "Mon coeur s'ouvre à ta voix" | Camille Saint-Saëns, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | D♭ Major | 2 | 3B | 84 BPM | ||
Dvořák: Rusalka, Op. 114, B. 203, Act 1: "Mesicku na nebi hlubokém" (Rusalka) | Antonín Dvořák, Lucia Popp, Stefan Soltesz, Munich Radio Orchestra | F♯ Major | 1 | 2B | 96 BPM | ||
Gounod: Faust, Act 3: "Les grands seigneurs ... Ah ! je ris de me voir si belle" (Marguerite) | Charles Gounod, Elsa Dreisig, Michael Schønwandt, Orchestre national de Montpellier Occitanie | D Major | 1 | 10B | 100 BPM | ||
"Lascia ch'io pianga" (From Rinaldo), HWV 7 | George Frideric Handel, Katherine Jenkins, The Arcadian Ensemble, James Morgan | D Major | 1 | 10B | 66 BPM | ||
Da Tempeste Il Legno Infranto (Cleopatre, Giulio Cesare) | George Frideric Handel, Maria Bayo, Capriccio Stravagante, Skip Sempé | E♭ Major | 3 | 5B | 129 BPM |
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