"Il Sedecia, Rè di Gerusalemme: "Caldo Sangue"" by Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski was released on January 1, 2005. With this song being about 5 minutes long, at 5:25, "Il Sedecia, Rè di Gerusalemme: "Caldo Sangue"" by Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Opera Proibita (Bonus Track Version)". In this album, this song's track order is #6. Furthermore, we believe that the track originated from United Kingdom. Il Sedecia, Rè di Gerusalemme: "Caldo Sangue" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il Sedecia, Rè di Gerusalemme: "Caldo Sangue" by Alessandro Scarlatti, Cecilia Bartoli, Les Musiciens du Louvre, Marc Minkowski having a BPM of 82 with a half-time of 41 BPM and a double-time of 164 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Which also means that the camelot key for this song is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Monteverdi: Madrigals, Book 7: Interrotte speranze, SV 132 | Claudio Monteverdi, Christina Pluhar, Cyril Auvity, Jan Van Elsacker | D Minor | 1 | 7A | 110 BPM | ||
Sancta Mater | Andreas Scholl | D Major | 1 | 10B | 73 BPM | ||
Fauré: 3 Songs, Op. 7: No. 1, Après un rêve | Gabriel Fauré, Sabine Devieilhe, Alexandre Tharaud | G Minor | 1 | 6A | 166 BPM | ||
O cessate di piagarmi | Alessandro Scarlatti, Ramón Vargas | A Minor | 2 | 8A | 84 BPM | ||
Vanne, o rosa fortunata | Vincenzo Bellini, Cecilia Bartoli, James Levine | F♯ Major | 1 | 2B | 75 BPM | ||
L'Eraclea: Dopo i nembi e le procelle | Tomaso Albinoni, Simone Kermes, Amici Veneziani | D Minor | 1 | 7A | 137 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Minor | 2 | 10A | 64 BPM | ||
Dardanus / Prologue: XV. Premier Tambourin / Deuxième Tambourin - Live | Jean-Philippe Rameau, Les Musiciens du Louvre, Marc Minkowski | D♭ Major | 1 | 3B | 157 BPM | ||
St. Matthew Passion, BWV 244 / Pt. 2: No. 47 Aria (Alto): "Erbarme dich, mein Gott" | Johann Sebastian Bach, Anne Sofie von Otter, Fredrik From, Baroque Concerto Copenhagen, Lars Ulrik Mortensen | B♭ Minor | 1 | 3A | 79 BPM | ||
La Finta scema / Act 2: Se lo dovessi vendere | Antonio Salieri, Cecilia Bartoli, Orchestra of the Age of Enlightenment, Ádám Fischer | C Major | 1 | 8B | 102 BPM |
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