George Frideric Handel, Maria Bayo, Capriccio Stravagante, Skip Sempé made "Da Tempeste Il Legno Infranto (Cleopatre, Giulio Cesare)" available on April 3, 2007. Da Tempeste Il Legno Infranto (Cleopatre, Giulio Cesare) is about six minutes long, preciously at 5:57, making this song fairly long compared to other songs. The track order of this song in George Frideric Handel, Maria Bayo, Capriccio Stravagante, Skip Sempé's "Haendel: Opera Arias & Cantatas" album is number 1 out of 13. Based on our statistics, Da Tempeste Il Legno Infranto (Cleopatre, Giulio Cesare)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of Da Tempeste Il Legno Infranto (Cleopatre, Giulio Cesare) by George Frideric Handel, Maria Bayo, Capriccio Stravagante, Skip Sempé to be Allegro (fast, quick, and bright) because the track has a tempo of 129 BPM, a half-time of 64BPM, and a double-time of 258 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Wagner: Tannhäuser, Act 3: "Wie Todesahnung … O du, mein holder Abendstern" (Wolfram) | Richard Wagner, Dietrich Fischer-Dieskau, Orchester Der Staatsoper Berlin, Franz Konwitschny, Staatsopernorchester Berlin | C Minor | 3 | 5A | 133 BPM | ||
La Morte d'Abel: Quel buon pastor son io | Antonio Caldara, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Minor | 1 | 9A | 121 BPM | ||
Wachet auf, ruft uns die Stimme, Cantata BWV 140: I. "Wachet auf, ruft uns die Stimme" | Johann Sebastian Bach, Münchener Bach-Orchester, Karl Richter, Münchener Bach-Chor | E♭ Major | 2 | 5B | 64 BPM | ||
Son tutta duolo | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Minor | 0 | 6A | 92 BPM | ||
Vaga luna che inargenti | Vincenzo Bellini, Cecilia Bartoli, James Levine | A♭ Major | 0 | 4B | 101 BPM | ||
The Queen of Spades, Op. 68, Act II: Ya vas liubliu (I Love You) | Pyotr Ilyich Tchaikovsky, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | E♭ Major | 1 | 5B | 96 BPM | ||
Mozart: Zaide, K. 344/336b, Act 1 Scene 3: No. 3, Arie, "Ruhe sanft, mein holdes Leben" (Zaide) | Wolfgang Amadeus Mozart, Natalie Dessay, Orchestra of the Age of Enlightenment, Louis Langrée | G Major | 1 | 9B | 166 BPM | ||
Sosarme, HWV 30: Act II, Duetto, "Per le porte del tormento" | George Frideric Handel, Bejun Mehta, Rosemary Joshua, René Jacobs | E♭ Major | 2 | 5B | 84 BPM | ||
Requiem In D Minor, K. 626: Benedictus | Slovak Philharmonic, Vladimir Ruso, Slovak Philharmonic Chorus, Magdaléna Hajóssyová, Jaroslava Horska, Jozef Kundlák, Peter Mikulas, Stefan Klimo, Wolfgang Amadeus Mozart | B♭ Major | 2 | 6B | 84 BPM | ||
Concerto Grosso in B-Flat Major, Op. 3, No. 1, HWV 312: I. Allegro | George Frideric Handel, Pamela Thorby, Rebecca Austen-Brown, Academy of St. Martin in the Fields, Iona Brown | A Minor | 1 | 8A | 116 BPM |
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