"Son tutta duolo" by Alessandro Scarlatti, Cecilia Bartoli, György Fischer was released on January 1, 1992. The duration of Son tutta duolo is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. Son tutta duolo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 21 in Cecilia Bartoli - Arie Antiche: Se tu m'ami by Cecilia Bartoli, György Fischer. In terms of popularity, Son tutta duolo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Son tutta duolo by Alessandro Scarlatti, Cecilia Bartoli, György Fischer is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Selve amiche | Antonio Caldara, Cecilia Bartoli, György Fischer | A Minor | 0 | 8A | 136 BPM | ||
La Bohème / Act 1: "Che gelida manina" | Jonas Kaufmann, Giacomo Puccini, Prague Philharmonic Orchestra, Marco Armiliato | A♭ Major | 3 | 4B | 68 BPM | ||
Porpora: Semiramide riconosciuta, Act 2: "Se pietoso il tuo labbro" (Mirteo) | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | F♯ Major | 0 | 2B | 65 BPM | ||
Fago: Confitebor tibi Domine: V. "Initium sapentiae timor Domini" | Francesco Nicola Fago, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | D♭ Minor | 0 | 12A | 82 BPM | ||
La Sonnambula / Act 1: Care compagne, e voi, teneri amici | Vincenzo Bellini, Cecilia Bartoli, Chor des Opernhauses Zürich, Orchestra La Scintilla, Alessandro De Marchi | G Minor | 0 | 6A | 79 BPM | ||
Bizet: Carmen, WD 31, Act 1 Scene 10: No. 10, Séguedille et Duo, "Près des remparts de Séville" (Carmen, Don José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | D Major | 1 | 10B | 83 BPM | ||
Frauenliebe und -leben Op.42: 4. Du Ring an meinem Finger | Robert Schumann, Anne Sofie von Otter, Bengt Forsberg | E♭ Major | 0 | 5B | 170 BPM | ||
Dolente immagine di Fille mia | Vincenzo Bellini, Cecilia Bartoli, James Levine | E Minor | 0 | 9A | 82 BPM | ||
Ciganské melodie, Op. 55, B. 104 - Arr. by Jiri Teml: IV. Kdyz mne stara matka | Antonín Dvořák, Anna Netrebko, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 2 | 6A | 115 BPM | ||
Strauss, R: 4 Letzte Lieder: No. 2, September | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | D Major | 1 | 10B | 70 BPM |
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