Strauss, R: 4 Letzte Lieder: No. 2, September - Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin Information

Acousticness: 98%
Danceability: 14%
Energy: 9%
Instrumentalness: 4%
Liveness: 8%
Loudness: 61%
Speechiness: 4%
Valence: 4%
Popularity: 19%
Loudness: -23.313 dB

Summary

"Strauss, R: 4 Letzte Lieder: No. 2, September" by Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin had its release date on 1997. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "R. Strauss: Four Last Songs". In this album, this song's track order is #2. Strauss, R: 4 Letzte Lieder: No. 2, September is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Strauss, R: 4 Letzte Lieder: No. 2, September BPM

With Strauss, R: 4 Letzte Lieder: No. 2, September by Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin having a BPM of 70 with a half-time of 35 BPM and a double-time of 140 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Strauss, R: 4 Letzte Lieder: No. 2, September Key

This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Sibelius: Symphony No. 5 in E-Flat Major, Op. 82: III. Allegro molto	Jean Sibelius, Sakari Oramo, City Of Birmingham Symphony Orchestra	A♭ Major	1	4B	149 BPM
The Bartered Bride, Act I Scene V: Introduction. Polka	Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus	C Major	3	8B	103 BPM
Lucia di Lammermoor / Act 1: "Regnava nel silenzio"	Gaetano Donizetti, Dame Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge	G Minor	1	6A	86 BPM
Elektra: Xiv. Platz da! Wer lungert so vor einer Tür?	Hugo von Hofmannsthal, Richard Strauss, Sonny Wallentin, Bengt Lindberger, Royal Swedish Opera Orchestra, Siegfried Köhler	D♭ Major	5	3B	118 BPM
Le colibri Op.2 N°7	Ernest Chausson, Susan Manoff, Sandrine Piau	D♭ Major	0	3B	130 BPM
Elektra: Ii. Allein! Weh, ganz allein	Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Royal Swedish Opera Orchestra, Siegfried Köhler	D♭ Major	5	3B	118 BPM
Norma (1997 Digital Remaster): Sinfonia ( Orchestra)	Vincenzo Bellini, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin, Orchestra Del Teatro Alla Scala Di Milan	G Major	1	9B	141 BPM
Vaga luna che inargenti	Vincenzo Bellini, Cecilia Bartoli, James Levine	A♭ Major	0	4B	101 BPM
La Wally / Act 1: "Ebben? Ne andrò lontana"	Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri	E Major	1	12B	87 BPM
Humperdinck: Hänsel und Gretel, Act 3 Scene 1: "Wo bin ich? Wach'ich?" (Gretel, Hänsel)	Engelbert Humperdinck, Elisabeth Schwarzkopf, Herbert von Karajan, Philharmonia Orchestra	A Major	1	11B	79 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records