"Vaga luna che inargenti" by Vincenzo Bellini, Cecilia Bartoli, James Levine was released on January 1, 1997. With this song being around four minutes long, at 4:00, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 20 in Cecilia Bartoli - An Italian Songbook by Cecilia Bartoli, James Levine. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Vaga luna che inargenti is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Vaga luna che inargenti by Vincenzo Bellini, Cecilia Bartoli, James Levine is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
The music key of this track is A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
5 Lieder, Op. 105: No. 1. Wie Melodien zieht es mir | Johannes Brahms, Diana Damrau, Helmut Deutsch | B♭ Major | 2 | 6B | 96 BPM | ||
Bellini: La sonnambula, Act 1: "Perdona, o mia diletta" (Elvino, Amina, All, Notary) | Vincenzo Bellini, Nicola Monti, Antonino Votto, Franco Ricciardi, Orchestra Del Teatro Alla Scala, Milano | B♭ Major | 1 | 6B | 91 BPM | ||
I puritani, Act I: O di Cromvel guerrieri | Vincenzo Bellini, Sarah Coburn, Lawrence Brownlee, Tomas Pavilionis, Azamat Zheltyrguzov, Tadas Girininkas, Kaunas State Choir, Kaunas City Symphony Orchestra, Constantine Orbelian | D Major | 3 | 10B | 119 BPM | ||
7 Chansons grises: No. 5, L'heure exquise | Reynaldo Hahn, Anne Sofie von Otter, Bengt Forsberg | B♭ Major | 0 | 6B | 67 BPM | ||
Beatrice di Tenda: Act I Scenes 5-6: Oh! Mie fedeli (Beatrice, Choir) | Vincenzo Bellini, Lucia Aliberti, Fabio Luisi, Chorus of the German Opera House Berlin, German Opera House Berlin Orchestra | A♭ Major | 1 | 4B | 101 BPM | ||
4 Melodies, Op. 39: No. 4, Les roses d'Ispahan | Gabriel Fauré, Kathleen Battle, James Levine | D Major | 0 | 10B | 80 BPM | ||
Così fan tutte ossia La scuola degli amanti, K.588 / Act 1: "Eccovi il medico" | Wolfgang Amadeus Mozart, Ferruccio Furlanetto, Hans Peter Blochwitz, Thomas Hampson, Marie McLaughlin, Kiri Te Kanawa, Ann Murray, Wiener Philharmoniker, James Levine | D Major | 2 | 10B | 127 BPM | ||
La Cenerentola / Act 1: Una volta c'era...Una soave non so che | Gioachino Rossini, Cecilia Bartoli, William Matteuzzi, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | C Major | 1 | 8B | 126 BPM | ||
Zenobia In Palmira: Qual farfalla | Leonardo Leo, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | E Minor | 1 | 9A | 55 BPM | ||
Merope: Si, traditor tu sei | Riccardo Broschi, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | D Major | 5 | 10B | 77 BPM |
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