Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus made "The Bartered Bride, Act I Scene V: Introduction. Polka" available on October 1, 2005. With this song being about 5 minutes long, at 4:39, "The Bartered Bride, Act I Scene V: Introduction. Polka" by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 44 in the song's album "Smetana: The Bartered Bride". In this album, this song's track order is #14. In terms of popularity, The Bartered Bride, Act I Scene V: Introduction. Polka is currently below average in popularity. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With The Bartered Bride, Act I Scene V: Introduction. Polka by Bedřich Smetana, Sir Charles Mackerras, Philharmonic Orchestra, The Royal Opera Chorus having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rusalka, Op. 114 / Act 1: Cury mury fuk | Antonín Dvořák, Dolora Zajick, Franz Hawlata, Czech Philharmonic Orchestra, Sir Charles Mackerras | B Major | 1 | 1B | 123 BPM | ||
Don Giovanni, K. 527 / Act 1: "Là ci darem la mano" - Excerpt | Wolfgang Amadeus Mozart, Miah Persson, Bryn Terfel, Scottish Chamber Orchestra | A Major | 1 | 11B | 72 BPM | ||
Das Lied von der Erde: Der Einsame im Herbst | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | B♭ Major | 0 | 6B | 134 BPM | ||
String Quartet No. 1 in E Minor, "From my life": II. Allegro moderato - A la polka | Bedřich Smetana, Moyzes Quartet | F Minor | 1 | 4A | 91 BPM | ||
La Bohème / Act 1: "O soave fanciulla" | Giacomo Puccini, José Carreras, Katia Ricciarelli, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | E Major | 2 | 12B | 81 BPM | ||
La Cenerentola / Act 1: "No, no, no non v'è" | Gioachino Rossini, Fernanda Costa, Gloria Banditelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | B♭ Major | 3 | 6B | 82 BPM | ||
Palestrina: Act III - "Wie lange sie bleiben" | Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier | F♯ Major | 1 | 2B | 87 BPM | ||
Wagner: Tannhäuser, Act 3: "Heil! Heil! Der Gnade Wunder Heil!" (Pilger, Walther, Heinrich, Wolfram, Biterolf, Reinmar, Landgraf) | Richard Wagner, Daniel Barenboim, Alfred Reiter, Gunnar Gudbjörnsson, Hanno Müller-Brachmann, René Pape, Staatskapelle Berlin, Stephan Rügamer, Thomas Hampson | E♭ Major | 2 | 5B | 158 BPM | ||
Carmina Burana / Blanziflor et Helena: "Ave formosissima" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | E Minor | 3 | 9A | 172 BPM | ||
Sylvia - Suite (2002 - Remaster): Pizzicati | Léo Delibes, New Philharmonia Orchestra, Sir Charles Mackerras | C Minor | 0 | 5A | 143 BPM |
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