Palestrina: Act III - "Wie lange sie bleiben" - Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier Information

Acousticness: 96%
Danceability: 22%
Energy: 7%
Instrumentalness: 1%
Liveness: 13%
Loudness: 59%
Speechiness: 4%
Valence: 4%
Popularity: 4%
Loudness: -24.397 dB

Summary

"Palestrina: Act III - "Wie lange sie bleiben"" by Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier was released on 1990. Since Palestrina: Act III - "Wie lange sie bleiben" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 21 in the song's album "Pfitzner: Palestrina". In this album, this song's track order is #5. Palestrina: Act III - "Wie lange sie bleiben" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Palestrina: Act III - "Wie lange sie bleiben" BPM

With Palestrina: Act III - "Wie lange sie bleiben" by Otmar Suitner, Staatskapelle Berlin, Berlin State Opera Chorus, Carola Nossek, Helmut Oertel, Peter Schreier having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.

Palestrina: Act III - "Wie lange sie bleiben" Key

This song has a musical key of F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Symphony No. 3 in E-Flat Major, Op. 97 "Rhenish": IV. Feierlich	Robert Schumann, Leonard Bernstein, New York Philharmonic	E♭ Minor	2	2A	113 BPM
Berlioz: Symphonie fantastique, Op. 14, H 48: V. Songe d'une nuit du sabbat. Larghetto - Allegro	Hector Berlioz, Berliner Philharmoniker, Sir Simon Rattle	A♭ Major	2	4B	80 BPM
Adelaide, Op. 46	Ludwig van Beethoven, Matthias Goerne, Jan Lisiecki	G Major	1	9B	128 BPM
Concerto for 2 Pianos, FP 61: III. Finale: Allegro molto	Francis Poulenc, Leonard Bernstein, New York Philharmonic	B Minor	3	10A	100 BPM
Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden"	Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre Boulez	E Major	0	12B	110 BPM
Symphony No. 7 in D Minor, Op. 70, B. 141: II. Poco adagio	Antonín Dvořák, Los Angeles Philharmonic, Gustavo Dudamel	C Major	1	8B	127 BPM
Korngold: Violin Concerto in D Major, Op. 35: I. Moderato nobile	Erich Wolfgang Korngold, Itzhak Perlman, André Previn, Pittsburgh Symphony Orchestra	D Major	1	10B	83 BPM
String Quartet No. 1 in C Major, Op. 49: 3. Allegro molto	Dmitri Shostakovich, Borodin Quartet	G Minor	3	6A	121 BPM
Das Christ-Elflein, Op. 20, Act I: Overture	Hans Pfitzner, Helen Donath, Janet Perry, Alexander Malta, Nikolaus Hillebrand, Paul Hansen, Claes-Håkan Ahnsjö, Raimund Grumbach, Ferry Gruber, Bavarian Radio Chorus, Symphonieorchester des Bayerischen Rundfunks, Kurt Peter Eichhorn	B Minor	2	10A	87 BPM
Piano Concerto in A minor, Op. 16: II. Adagio	Edvard Grieg, Krystian Zimerman, Berliner Philharmoniker, Herbert von Karajan	D♭ Major	0	3B	77 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7602691650390625

End: 0.763674259185791