"Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden"" by Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre Boulez was released on January 1, 2000. Since Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre Boulez's "Mahler: Symphony No.4" album is number 4 out of 4. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No. 4 in G Major: IV. Sehr behaglich: "Wir genießen die himmlischen Freuden" by Gustav Mahler, Juliane Banse, Cleveland Orchestra, Pierre Boulez to be Moderato (at a moderate speed) because the track has a tempo of 110 BPM, a half-time of 55BPM, and a double-time of 220 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.2, Op.55: 3. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 69 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) | Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein | D Major | 3 | 10B | 85 BPM | ||
Pictures at an Exhibition: Limoges, the Market Place | Modest Mussorgsky, George Szell, Cleveland Orchestra | D♭ Major | 0 | 3B | 79 BPM | ||
Pulcinella: 1. Ouverture: Allegro moderato | Igor Stravinsky, Saint Paul Chamber Orchestra, Christopher Hogwood | F Major | 0 | 7B | 127 BPM | ||
Pelléas et Mélisande, Op.80: 1. Prélude | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | G Major | 1 | 9B | 134 BPM | ||
Symphony No. 3 in D Minor: II. Tempo di menuetto. Sehr massig | Gustav Mahler, Catherine Wyn-Rogers, Royal Liverpool Philharmonic Choir, Liverpool Philharmonic Youth Choir, Royal Liverpool Philharmonic Orchestra, Gerard Schwarz | B♭ Major | 1 | 6B | 62 BPM | ||
Elektra, Op. 58: "Wo bleibt Elektra?" | Richard Strauss, Valery Gergiev, Ekaterina Popova, Olga Legkova, Ekaterina Sergeeva, Tatiana Kravtsova, London Symphony Orchestra, Lia Shevtsova | G Major | 2 | 9B | 78 BPM | ||
Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" | Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber | G Major | 1 | 9B | 50 BPM | ||
Das Lied von der Erde: I. Das Trinklied vom Jammer der Erde | Gustav Mahler, Yannick Nézet-Séguin, London Philharmonic Orchestra, Sarah Connolly, Toby Spence | F Major | 1 | 7B | 64 BPM |
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