Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein made "Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto)" available on January 1, 1982. With Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) being less than two minutes long, at 1:01, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 12 out of 18 in Elgar: Enigma Variations by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein. Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Variations On An Original Theme, Op.36 "Enigma": 11. G.R.S. (Allegro di molto) by Edward Elgar, BBC Symphony Orchestra, Leonard Bernstein is Andante (at a walking pace), since this song has a tempo of 85 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Bolt, Op. 27a (Ballet Suite No. 5): VI. The Dance of the Colonial Slave-Girl | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | A Minor | 0 | 8A | 138 BPM | ||
Rapsodie espagnole, M.54: 1. Prélude à la nuit | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | D Minor | 0 | 7A | 107 BPM | ||
Mass / X. Credo: V. Trope: "I Believe in God" - Live | Leonard Bernstein, Pearl Sun, Philadelphia Orchestra, Yannick Nézet-Séguin, Street Chorus Cast, Westminster Symphonic Choir, Temple University Concert Choir | F Major | 1 | 7B | 91 BPM | ||
Variations on a Rococo Theme, Op. 33, TH 57: Var: VI. Andante | Pyotr Ilyich Tchaikovsky, Jean-Guihen Queyras, BBC Symphony Orchestra, Jiří Bělohlávek | D Major | 0 | 10B | 114 BPM | ||
A Quiet Place, Act II: Yes? Oh, Mr. Partridge! (From Trouble in Tahiti) - Live | Leonard Bernstein, Louise Edeiken, Mark Thomsen, Edward Crafts, Kurt Ollmann, Vienna Radio Symphony Orchestra | E Minor | 2 | 9A | 154 BPM | ||
Carmen Suite No. 2 (Arr. E. Guiraud): III. Nocturne | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | B♭ Major | 2 | 6B | 92 BPM | ||
A Quiet Place, Act I: Finale: Merry Christmas to You Too - Live | Leonard Bernstein, Beverly Morgan, Peter Kazaras, John Brandstetter, Chester Ludgin, Vienna Radio Symphony Orchestra | G Major | 2 | 9B | 70 BPM | ||
String Quartet No. 2 in D Major: I. Allegro moderato | Alexander Borodin, Budapest Haydn Quartet | D Major | 1 | 10B | 75 BPM | ||
The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
Two Serenades, Op.69: 1. Andante assai, Op.69 No.1 - In D Major | Jean Sibelius, Anne-Sophie Mutter, Staatskapelle Dresden, André Previn | D Major | 0 | 10B | 108 BPM |
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