"The Music Makers, Op. 69: II. We Are the music makers" by Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright was released on November 12, 2006. The duration of The Music Makers, Op. 69: II. We Are the music makers is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. The Music Makers, Op. 69: II. We Are the music makers's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 15 in Elgar: Music Makers / Sea Pictures by Edward Elgar, Sarah Connolly. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The Music Makers, Op. 69: II. We Are the music makers is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Music Makers, Op. 69: II. We Are the music makers by Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
B♭ Minor is the music key of this track. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony in G Minor*: II. Lento | Ernest John Moeran, Bournemouth Symphony Orchestra, David Lloyd-Jones | F♯ Minor | 0 | 11A | 80 BPM | ||
The Dream of Gerontius, Op. 38, Pt. 1: Sanctus fortis, Sanctus Deus | Edward Elgar, Gabrieli, Paul McCreesh, Nicky Spence | D Major | 0 | 10B | 85 BPM | ||
Sinfonietta: II. Var. I: a tempo, ma un poco piu mosso - | Ernest John Moeran, Bournemouth Symphony Orchestra, David Lloyd-Jones | B Minor | 0 | 10A | 147 BPM | ||
Calme des nuits, Op.68, No.1 | Camille Saint-Saëns, The Monteverdi Choir, John Eliot Gardiner | E Minor | 0 | 9A | 128 BPM | ||
Symphony No. 6, "Gettysburg": II. Conflict | Roy Harris, Bournemouth Symphony Orchestra, Marin Alsop | A♭ Major | 3 | 4B | 112 BPM | ||
Concertino from "Eastern Promises": Eastern Promises | Howard Shore, Nicola Benedetti, Greg Knowles, Bournemouth Symphony Orchestra, Kirill Karabits | G Minor | 1 | 6A | 130 BPM | ||
Price: Adoration (Arr. Gray for Violin and Orchestra) | Florence Beatrice Price, Randall Goosby, Philadelphia Orchestra, Yannick Nézet-Séguin | D Major | 3 | 10B | 74 BPM | ||
Symphony No. 2 "A London Symphony": II. Lento | Ralph Vaughan Williams, Bournemouth Symphony Orchestra, Kees Bakels | F Major | 0 | 7B | 76 BPM | ||
Gayaneh: Dance of the mountaineers | Aram Khachaturian, Bournemouth Symphony Orchestra, Kirill Karabits | G Minor | 9 | 6A | 115 BPM | ||
Grieg: Old Norwegian Romance with Variations, Op. 51: XVIII. Prestissimo (Orchestral Version) | Edvard Grieg, Paavo Berglund, Bournemouth Symphony Orchestra | E♭ Minor | 1 | 2A | 110 BPM |
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