"Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist"" by Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber was released on January 1, 1976. The duration of Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" is about 3 minutes long, at 3:14. Based on our data, "Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 37 in the song's album "Strauss: Die Fledermaus". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Germany. Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" is below average in popularity right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Die Fledermaus / Act I: Nr. 1 Introduktion: "Täubchen, das entflattert ist" by Johann Strauss II, Lucia Popp, René Kollo, Bavarian State Orchestra, Carlos Kleiber having a BPM of 50 with a half-time of 25 BPM and a double-time of 100 BPM, we would consider this track to have a Lento (slowly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oh, Annina ich errate was Euch herführt (Dialogue) | Erich Wolfgang Korngold, Ernst Marischka, Friedrich Zell, Johann Strauss II, Richard Genée, Otto Ackermann | D Major | 1 | 10B | 88 BPM | ||
Lucia di Lammermoor / Act 1: "Quando rapito in estasi" | Gaetano Donizetti, Joan Sutherland, Huguette Tourangeau, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | G Major | 3 | 9B | 84 BPM | ||
Les Troyens, Op. 29, H 133, Act I: No. 1. "Ha, Ha! Après dix ans" | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis, Petra Lang | G Major | 4 | 9B | 74 BPM | ||
Cäcilie | Richard Strauss, Anna Netrebko | A Major | 2 | 11B | 65 BPM | ||
Cavalleria rusticana: "Dite, mama Lucia" | Pietro Mascagni, Julia Varady, Ida Bormida, National Philharmonic Orchestra, Gianandrea Gavazzeni | F♯ Minor | 1 | 11A | 139 BPM | ||
Waltz Song: Je veux vivre (from Roméo et Juliette) | Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli | G Major | 1 | 9B | 72 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Norma Burrowes, Royal Philharmonic Orchestra, Antal Doráti | D Major | 0 | 10B | 85 BPM | ||
Tristan und Isolde / Act 2: "Rette dich, Tristan!" | Richard Wagner, Werner Götz, René Kollo, Dietrich Fischer-Dieskau, Staatskapelle Dresden, Carlos Kleiber | D Major | 1 | 10B | 108 BPM | ||
La traviata / Act II: "Annina, donde vieni?... O mio rimorso!" | Giuseppe Verdi, Helena Jungwirth, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | C Major | 3 | 8B | 105 BPM | ||
Manon Lescaut: Act I: Donna non vidi mai simile a questa! | Giacomo Puccini, Lucienne van Deyck, Miriam Gauci, Donald George, Ludwig van Gijzegem, Kaludi Kaludov, Henk Lauwers, Marcel Rosca, Vicente Sardinero, BRT Philharmonic Chorus, Jaak Gregoor Choir, Belgian Radio and Television Philharmonic Orchestra, Alexander Rahbari | D Major | 0 | 10B | 83 BPM |
Section: 1.0262808799743652
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