"Cäcilie" by Richard Strauss, Anna Netrebko was released on January 1, 2008. With Cäcilie being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 18 in the song's album "Souvenirs". In this album, this song's track order is #6. Furthermore, we believe that the track originated from Germany. Cäcilie is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Cäcilie by Richard Strauss, Anna Netrebko having a BPM of 65 with a half-time of 32 BPM and a double-time of 130 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elektra: Xiii. Orest! Orest ist tod! | Hugo von Hofmannsthal, Richard Strauss, Laila Andersson-palme, Anita Soldh, Royal Swedish Opera Orchestra, Siegfried Köhler | E♭ Major | 3 | 5B | 81 BPM | ||
La Sonnambula / Act 1: "Perdona, o mia diletta...Prendi: L'anel ti dono" | Vincenzo Bellini, Luciano Pavarotti, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | A♭ Major | 2 | 4B | 79 BPM | ||
Mozart: Don Giovanni, K. 527, Act 2: "Questo è il fin di chi fa mal!" (Donna Elvira, Donna Anna, Zerlina, Don Ottavio, Masetto, Leporello) | Wolfgang Amadeus Mozart, Riccardo Muti, Carol Vaness, Cheryl Studer, Frank Lopardo, Natale de Carolis, Samuel Ramey, Susanne Mentzer, Wiener Philharmoniker | F Major | 1 | 7B | 95 BPM | ||
Faust, CG 4 / Act 3: "Salut! demeure chaste et pure" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | A♭ Major | 2 | 4B | 109 BPM | ||
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | F♯ Minor | 2 | 11A | 156 BPM | ||
Rusalka, Op. 114 / Act 1: Ta voda studi, studi! Jezibabo! Jezibabo! | Antonín Dvořák, Renée Fleming, Franz Hawlata, Dolora Zajick, Czech Philharmonic Orchestra, Sir Charles Mackerras | D Major | 0 | 10B | 145 BPM | ||
Strauss, R: 8 Gedichte aus "Letzte Blätter", Op. 10: No. 3, Die Nacht | Richard Strauss, Sabine Devieilhe, Mathieu Pordoy | G Minor | 0 | 6A | 82 BPM | ||
Tristan und Isolde, WWV 90 / Act 3: "Mild und leise wie er lächelt" (Isoldes Liebestod) | Richard Wagner, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | B Major | 2 | 1B | 142 BPM | ||
Il Bacio | Jules Massenet, Anna Netrebko | D Major | 2 | 10B | 68 BPM | ||
4 Letzte Lieder, TrV 296: No. 1, Frühling | Richard Strauss, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | A Major | 2 | 11B | 77 BPM |
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