Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli's 'Waltz Song: Je veux vivre (from Roméo et Juliette)' came out on August 16, 2011. The duration of Waltz Song: Je veux vivre (from Roméo et Juliette) is about 3 minutes long, at 3:26. Based on our data, "Waltz Song: Je veux vivre (from Roméo et Juliette)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Dame Joan Sutherland's "Joan Sutherland "La Stupenda"" album is number 9 out of 10. On top of that, United States appears to be the country where this track was created. Waltz Song: Je veux vivre (from Roméo et Juliette) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Waltz Song: Je veux vivre (from Roméo et Juliette) by Dame Joan Sutherland, Orchestra of the Royal Opera House & Covent Garden, Francesco Molinari-Pradelli to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM | ||
Maristella / Act 1: "Io conosco un giardino" | Giuseppe Pietri, Luciano Pavarotti, New Philharmonia Orchestra, Leone Magiera | F♯ Major | 3 | 2B | 172 BPM | ||
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" | Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | G Minor | 1 | 6A | 79 BPM | ||
"Io son l'umile ancella" | Francesco Cilea, Montserrat Caballé, Gianfranco Masini | A♭ Major | 1 | 4B | 107 BPM | ||
Carmen, Act I, No.4 Choeur des Cigarières: Mais nous ne voyons pas la Carmencita!...Quand je vous aimerai? (Jeunes gens/Dragons/Cigarières/Carmen) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | F Minor | 1 | 4A | 107 BPM | ||
La traviata / Act 3: Tenesta la promessa - Attendo, né a me giungon mai - Addio del passato | Giuseppe Verdi, Dame Joan Sutherland, National Philharmonic Orchestra, Richard Bonynge | A Minor | 1 | 8A | 149 BPM | ||
Scenes That Are Brightest (from Maritana) | Dame Joan Sutherland | C Major | 1 | 8B | 179 BPM | ||
Madama Butterfly / Act 1: Ecco. Son giunte al sommo del pendio | Giacomo Puccini, Herbert von Karajan, Wiener Philharmoniker, Vienna State Opera Chorus, Michel Sénéchal, Mirella Freni, Robert Kerns, Luciano Pavarotti | B♭ Minor | 1 | 3A | 86 BPM | ||
Il barbiere di Siviglia / Act 2: Cessa di più resistere | Gioachino Rossini, Juan Diego Flórez, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | B♭ Major | 2 | 6B | 115 BPM | ||
Offenbach: La Belle Hélène, Act 2 Scene 11: No. 11, Invocation à Vénus, "On me nomme Hélène la blonde" (Hélène) | Jacques Offenbach, John Aler, Charles Burles, Jessye Norman, Nicole Carreras, Colette Alliot-Lugaz, Gabriel Bacquier, Jean-Philippe Lafont, Choeur Du Capitole De Toulouse, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 82 BPM |
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