- BPM
- 79
- Key
- G Minor
- Camelot
- 6A
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" - Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume Information
- Acousticness
- 98%
- Danceability
- 32%
- Energy
- 11%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 69%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 7%
- Loudness
- -18.562 dB
Summary
"Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé"" by Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume was released on November 8, 2019. With Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" being less than two minutes long, at 1:00, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 22 in Benjamin Bernheim by Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume. Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" BPM
The tempo marking of Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" by Charles Gounod, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
Roméo et Juliette, CG 9: "L'amour! l'amour! oui, son ardeur a troublé" Key
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Martha: M'apparì tutt'amor | Friedrich von Flotow, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | B Minor | 2 | 10A | 89 BPM | |
 | Fauré: 2 Mélodies, Op. 1: No. 2, Mai | Gabriel Fauré, Dame Janet Baker, Gerald Moore | D♭ Major | 1 | 3B | 174 BPM | |
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 | Poeme d'un jour, Op. 21: No. 2. Toujours | Gabriel Fauré, Ailyn Perez, Iain Burnside | F♯ Major | 3 | 2B | 80 BPM | |
 | La belle Hélène / Act 1: "Au Mont Ida, trois déesses" | Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado | F Major | 2 | 7B | 88 BPM | |
 | Lúa Descolorida | Osvaldo Golijov, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | C Major | 1 | 8B | 172 BPM | |
 | Eugene Onegin, Op. 24, TH 5 / Act II: "Kuda, kuda, kuda vi udalilis" | Pyotr Ilyich Tchaikovsky, Neil Shicoff, Orchestre de Paris, Semyon Bychkov | E Minor | 1 | 9A | 84 BPM | |
 | Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | |
 | La Cenerentola / Act 2: "Son qui" | Gioachino Rossini, William Matteuzzi, Cecilia Bartoli, Gloria Banditelli, Fernanda Costa, Enzo Dara, Alessandro Corbelli, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | E♭ Major | 1 | 5B | 122 BPM | |
 | Auf dem Wasser zu singen, D. 774 | Franz Schubert, Renée Fleming, Christoph Eschenbach | A♭ Minor | 0 | 1A | 67 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 1.0918328762054443
End: 1.0979950428009033