""Io son l'umile ancella"" by Francesco Cilea, Montserrat Caballé, Gianfranco Masini was released on 1965. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 26 in the song's album "The Essential Montserrat Caballé [International Version]". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Spain. In terms of popularity, "Io son l'umile ancella" is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With "Io son l'umile ancella" by Francesco Cilea, Montserrat Caballé, Gianfranco Masini having a BPM of 107 with a half-time of 54 BPM and a double-time of 214 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cilea: Adriana Lecouvreur; Act 2: Ma dunque, e vero? | Francesco Cilea, Arturo Colautti, James Levine | D♭ Major | 3 | 3B | 92 BPM | ||
Norma / Act 1: Casta Diva | Vincenzo Bellini, Anna Netrebko, SWR Symphony Orchestra, Marco Armiliato | F Major | 1 | 7B | 85 BPM | ||
The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) | Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | E Major | 2 | 12B | 129 BPM | ||
Il Trovatore/D'Amor Sull'Ali Rosee | Montserrat Caballé, Orquesta Sinfónica de Barcelona | D Major | 3 | 10B | 62 BPM | ||
Il Barbiere di Siviglia: Act I: Piano, pianissimo - Highlights | Gioachino Rossini, Samuel Ramey, Enzo Dara, Marilyn Horne, Leo Nucci, Paolo Barbacini, Riccardo Chailly | C Major | 3 | 8B | 127 BPM | ||
Bizet: Carmen, WD 31, Act 3, Scene 1: "Je dis que rien ne m'épouvante" (Micaëla) | Georges Bizet, Giuseppe Sinopoli, Angela Gheorghiu, Bavarian State Orchestra | E♭ Major | 0 | 5B | 135 BPM | ||
Rigoletto - Bella Figlia Dell'Amore | Luciano Pavarotti, Adriana Lazzarini, Piero Cappuccilli, Margherita Rinaldi | D♭ Major | 2 | 3B | 61 BPM | ||
Andrea Chénier / Act 4: La nostra morte è il trionfo dell'amor | Umberto Giordano, Montserrat Caballé, Luciano Pavarotti, Giuseppe Morresi, National Philharmonic Orchestra, Riccardo Chailly | F♯ Major | 4 | 2B | 88 BPM | ||
Romeo and Juliette, Act II: L'amour! l'amour | Charles Gounod, Roberto Alagna, Michel Plasson, Wolff, Orchestre Du Capitole De Toulouse | B♭ Major | 1 | 6B | 84 BPM | ||
Caro nome | Giuseppe Verdi, Montserrat Caballé, Gianfranco Masini, Orquesta Sinfónica de Barcelona | D Major | 5 | 10B | 120 BPM |
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