"Il Trovatore/D'Amor Sull'Ali Rosee" by Montserrat Caballé, Orquesta Sinfónica de Barcelona was released on March 14, 2008. Il Trovatore/D'Amor Sull'Ali Rosee is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. There are a total of 15 in the song's album "Romance". In this album, this song's track order is #11. Furthermore, we believe that the track originated from Spain. Il Trovatore/D'Amor Sull'Ali Rosee is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Il Trovatore/D'Amor Sull'Ali Rosee by Montserrat Caballé, Orquesta Sinfónica de Barcelona having a BPM of 62 with a half-time of 31 BPM and a double-time of 124 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Nessun Dorma! | Mario del Monaco | D Major | 2 | 10B | 88 BPM | ||
Carmina Burana / I. Primo vere: "Veris leta facies" | Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum | D Minor | 0 | 7A | 68 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
Tosca, Act 2: "vissi D'arte" | Birgit Nilsson | A Major | 1 | 11B | 66 BPM | ||
Tosca / Act 2: "Orsù, Tosca, parlate." - "Mario, consenti ch'io parli?" | Giacomo Puccini, Montserrat Caballé, José Carreras, Ingvar Wixell, Piero de Palma, William Elvin, Orchestra of the Royal Opera House, Covent Garden, Sir Colin Davis | G Minor | 3 | 6A | 88 BPM | ||
Cancionero de Pedrell: No. 4, Soledad | Roberto Gerhard, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Núria Rial, Francesc Prat | A Minor | 1 | 8A | 75 BPM | ||
El majo discreto | Teresa Berganza, Juan Antonio Alvares Parejo | G Major | 0 | 9B | 88 BPM | ||
Rinaldo, HWV 7a / Act 2: "Lascia ch'io pianga" | George Frideric Handel, Danielle de Niese, Les Arts Florissants, William Christie | E Major | 1 | 12B | 87 BPM | ||
Che farò senza Euridice? | Christoph Willibald Gluck, Vesselina Kasarova, Friedrich Haider | B♭ Major | 2 | 6B | 95 BPM | ||
Cancionero de Pedrell: No. 7, Alalá | Roberto Gerhard, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Núria Rial, Francesc Prat | E Major | 1 | 12B | 69 BPM |
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