"Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige)" by Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse was released on January 12, 2004. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 7 out of 12 in French Opera Arias by Natalie Dessay, Michel Plasson. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) by Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Satie: Je te veux | Erik Satie, Aldo Ciccolini, Mady Mesple | G Minor | 0 | 6A | 170 BPM | ||
Norma (1997 - Remaster), Act II, Scene 3: Deh! non volerli vittime (Coro/Norma/Pollione/Oroveso) | Vincenzo Bellini, Maria Callas, Franco Corelli, Nicola Zaccaria, Coro Del Teatro Alla Scala Di Milano, Noberto Mola, Tullio Serafin, Orchestra Del Teatro Alla Scala, Milano, Orchestra Del Teatro Alla Scala Di Milan | A Minor | 3 | 8A | 82 BPM | ||
Nabucco / Act 1: D'Egitto là sui lidi | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 88 BPM | ||
Louise, Act III: Depuis le jour | Gustave Charpentier, Kathleen Battle, Orchestre de l’Opéra national de Paris, Myung-Whun Chung | G Major | 1 | 9B | 90 BPM | ||
Shéhérazade, M. 41: 1. Asie | Maurice Ravel, Régine Crespin, Orchestre de la Suisse Romande, Ernest Ansermet | D♭ Minor | 1 | 12A | 101 BPM | ||
Così fan tutte, K. 588 / Act I: "Una bella serenata" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | C Major | 2 | 8B | 135 BPM | ||
Les Contes d'Hoffmann / Prologue: "Va pour Kleinzach...Il était une fois à la cour" | Jacques Offenbach, Plácido Domingo, Pedro Di Proenza, Choeur de la Radio Suisse Romande, Pro Arte Choir, Lausanne, Choeur Du Brassus, Orchestre de la Suisse Romande, Richard Bonynge | A Minor | 3 | 8A | 97 BPM | ||
Manon / Act 3: Je marche sur les chemins...Obéissons quand leur voix appelle) | Jules Massenet, Renée Fleming, English Chamber Orchestra, Jeffrey Tate | G Major | 1 | 9B | 104 BPM | ||
Delibes: Lakmé, Act 1: "Nous commettons un sacrilège" (Frederic, Gerald, Mistress Bentson, Rose, Ellen) | Léo Delibes, Michel Plasson, Bernadette Antoine, Franck Leguérinel, Gregory Kunde, Orchestre Du Capitole De Toulouse, Patricia Petibon, Xenia Konsek, Orchestre National Du Capitole De Toulouse | F Minor | 0 | 4A | 96 BPM | ||
E' Strano... Follie... Sempre Libera - la Traviata Atto I | Renata Tebaldi | C Major | 2 | 8B | 74 BPM |
Section: 0.6938350200653076
End: 0.6971333026885986