- BPM
- 68
- Key
- D Minor
- Camelot
- 7A
Carmina Burana / I. Primo vere: "Veris leta facies" - Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum Information
- Acousticness
- 97%
- Danceability
- 21%
- Energy
- 1%
- Instrumentalness
- 22%
- Liveness
- 28%
- Loudness
- 39%
- Speechiness
- 4%
- Valence
- 7%
- Popularity
- 2%
- Loudness
- -36.371 dB
Summary
"Carmina Burana / I. Primo vere: "Veris leta facies"" by Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum was released on January 1, 1988. The duration of Carmina Burana / I. Primo vere: "Veris leta facies" is about 3 minutes long, at 3:27. Based on our data, "Carmina Burana / I. Primo vere: "Veris leta facies"" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #3. Carmina Burana / I. Primo vere: "Veris leta facies" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Carmina Burana / I. Primo vere: "Veris leta facies" BPM
With Carmina Burana / I. Primo vere: "Veris leta facies" by Carl Orff, Chor der Deutschen Oper Berlin, Orchester der Deutschen Oper Berlin, Eugen Jochum having a BPM of 68 with a half-time of 34 BPM and a double-time of 136 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
Carmina Burana / I. Primo vere: "Veris leta facies" Key
D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Carmina Burana, III - Cours d'amours: Si puer cum puellula - Soli (3 Tenori, Baritono, 2 Bassi) | Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker | G Major | 1 | 9B | 111 BPM | |
 | Andrea Chénier / Act III: "La mamma morta" | Umberto Giordano, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | D Major | 1 | 10B | 76 BPM | |
 | Die Meistersinger von Nürnberg, WWV 96 / Act 3: "Verachtet mir die Meister nicht" | Richard Wagner, Norman Bailey, Kurt Moll, Michel Sénéchal, Adalbert Kraus, Martin Egel, Bernd Weikl, Gerd Nienstedt, Max Schönherr, Wolfgang Appel, Herbert Berger-Tuna, Kurt Rydl, Rudolf A Hartmann, René Kollo, Adolf Dallapozza, Hannelore Bode, Julia Hamari, Gumpoldskirchner Spatzen, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 4 | 7B | 179 BPM | |
 | Symphony No. 3 in D Minor: V. Lustig im Tempo und keck im Ausdruck | Gustav Mahler, Ewa Podles, Cracow Boys' Choir, Cracow Philharmonic Chorus, Polish National Radio Symphony Orchestra, Antoni Wit | C Major | 1 | 8B | 78 BPM | |
 | Cavalleria rusticana: "Gli aranci olezzano sui verdi margini" | Pietro Mascagni, The London Opera Chorus, National Philharmonic Orchestra, Gianandrea Gavazzeni | A Major | 1 | 11B | 75 BPM | |
 | Peer Gynt, Op. 23 - Incidental Music: No. 23 Solveig sings in the Hut | Edvard Grieg, Barbara Bonney, Gothenburg Symphony Orchestra, Neeme Järvi | B♭ Major | 1 | 6B | 153 BPM | |
 | Vier letzte Lieder, TrV 296: III. Beim Schlafengehen | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 100 BPM | |
 | Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: Mir ist so wunderbar | Ludwig van Beethoven, Rachel Harnisch, Nina Stemme, Christof Fischesser, Christoph Strehl, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado | E Minor | 7 | 9A | 98 BPM | |
 | La Cenerentola / Act 2: "Nacqui all'affanno e al pianto...Non più mesta" | Gioachino Rossini, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Henry Lewis | F Major | 1 | 7B | 125 BPM | |
 | Die Fledermaus / Act I: Nr. 4 Terzett: "So muss allein ich bleiben" | Johann Strauss II, Julia Varady, Lucia Popp, Hermann Prey, Bavarian State Orchestra, Carlos Kleiber | C Major | 2 | 8B | 131 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.8063864707946777
End: 0.8102054595947266