Vier letzte Lieder, TrV 296: III. Beim Schlafengehen
Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan
Strauss, R.: Four Last Songs; Metamorphoses; Oboe Concerto
6:13 January 1, 1988
BPM
100
Key
D Minor
Camelot
7A

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Vier letzte Lieder, TrV 296: III. Beim Schlafengehen - Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan Information

Acousticness
97%
Danceability
29%
Energy
6%
Instrumentalness
80%
Liveness
17%
Loudness
61%
Speechiness
4%
Valence
14%
Popularity
Loudness
-23.382 dB

Summary

"Vier letzte Lieder, TrV 296: III. Beim Schlafengehen" by Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1988. Vier letzte Lieder, TrV 296: III. Beim Schlafengehen is about six minutes long, preciously at 6:13, making this song fairly long compared to other songs. There are a total of 8 in the song's album "Strauss, R.: Four Last Songs; Metamorphoses; Oboe Concerto". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Germany. In terms of popularity, Vier letzte Lieder, TrV 296: III. Beim Schlafengehen is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Vier letzte Lieder, TrV 296: III. Beim Schlafengehen BPM

With Vier letzte Lieder, TrV 296: III. Beim Schlafengehen by Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Vier letzte Lieder, TrV 296: III. Beim Schlafengehen Key

This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Recommendations

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ISRC
DEF057302011
Label
L-M Records/RCA Records

Section: 0.15285205841064453

End: 0.15861034393310547