Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker's 'Carmina Burana, III - Cours d'amours: Si puer cum puellula - Soli (3 Tenori, Baritono, 2 Bassi)' came out on January 5, 2005. With Carmina Burana, III - Cours d'amours: Si puer cum puellula - Soli (3 Tenori, Baritono, 2 Bassi) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 25 in the song's album "Orff: Carmina Burana". In this album, this song's track order is #19. In terms of popularity, Carmina Burana, III - Cours d'amours: Si puer cum puellula - Soli (3 Tenori, Baritono, 2 Bassi) is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Carmina Burana, III - Cours d'amours: Si puer cum puellula - Soli (3 Tenori, Baritono, 2 Bassi) by Carl Orff, Sir Simon Rattle/Berliner Philharmoniker/Sally Matthews/Christian Gerhaher/Lawrence Brownlee/Knaben des Staats- und Domchors Berlin/Simon Halsey/Rundfunkchor Berlin, Sir Simon Rattle, Berliner Philharmoniker having a BPM of 111 with a half-time of 56 BPM and a double-time of 222 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 3/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem, Op. 9: VI. Agnus Dei | Maurice Duruflé, Robert Shaw, Atlanta Symphony Orchestra | C Major | 0 | 8B | 70 BPM | ||
Gounod: Faust, CG 4, Act 2 Scene 2: No. 6, Invocation, "Avant de quitter ces lieux" | Charles Gounod, Michel Plasson, Thomas Hampson, Orchestre Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | ||
The Dream of Gerontius, Op. 38, Pt.2: But hark! a grand mysterious harmony | Sir Edward Elgar, Paul Groves, Alice Coote, Sir Mark Elder, Hallé | F Minor | 2 | 4A | 87 BPM | ||
The Dream of Gerontius, Op. 38: No. 15, "Low-born Clods of Brute Earth" | Edward Elgar, Anne Sofie von Otter, Sir Colin Davis, London Symphony Orchestra | E♭ Minor | 0 | 2A | 76 BPM | ||
Die Walküre, WWV 86B / Act III: "Nicht streb, o Maid, den Mut mir zu stören" | Richard Wagner, Régine Crespin, Thomas Stewart, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 92 BPM | ||
Il barbiere di Siviglia / Act 1: "Ma signor..." "Zitto tu!" | Gioachino Rossini, Giorgio Tadeo, Carlo Cava, Gianna D'Angelo, Gabriella Carturan, Nicola Monti, Renato Capecchi, Bavarian Radio Symphony Orchestra, Bruno Bartoletti, Coro dell' Opera Nazionale Italiana | C Major | 6 | 8B | 103 BPM | ||
Katya Kabanova, JW I/8, Act I Scene 1: "Je baryňa doma?" | Leoš Janáček, Sir Simon Rattle, London Symphony Orchestra, Pavlo Hunka, Claire Barnett-Jones, Ladislav Elgr, Simon O'Neill | D♭ Minor | 1 | 12A | 70 BPM | ||
Beethoven: Symphony No. 2 in D Major, Op. 36: II. Larghetto | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | A Major | 0 | 11B | 83 BPM | ||
Verdi : Messa da Requiem : IV Mors stupebit | Giuseppe Verdi, Daniel Barenboim, Chicago Symphony Orchestra | B♭ Minor | 0 | 3A | 77 BPM | ||
Boris Godunov: Opera in Four Acts With a Prologue: Prologue, Scene 1: "Who are you adandoning us to" | Modest Mussorgsky, Claudio Abbado, Berliner Philharmoniker, Slovak Philharmonic Chorus Bratislava, Rundfunkchor Berlin, Tölzer Knabenchor, Mikhail Krutikov | B♭ Major | 1 | 6B | 153 BPM |
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