"Andrea Chénier / Act 4: La nostra morte è il trionfo dell'amor" by Umberto Giordano, Montserrat Caballé, Luciano Pavarotti, Giuseppe Morresi, National Philharmonic Orchestra, Riccardo Chailly was released on January 1, 1984. The duration of Andrea Chénier / Act 4: La nostra morte è il trionfo dell'amor is about 3 minutes long, at 3:20. Based on our data, "Andrea Chénier / Act 4: La nostra morte è il trionfo dell'amor" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Umberto Giordano, Luciano Pavarotti, Montserrat Caballé, Leo Nucci, Chorus of the Welsh National Opera, National Philharmonic Orchestra, Riccardo Chailly's "Giordano: Andrea Chénier" album is number 15 out of 30. Andrea Chénier / Act 4: La nostra morte è il trionfo dell'amor is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Andrea Chénier / Act 4: La nostra morte è il trionfo dell'amor by Umberto Giordano, Montserrat Caballé, Luciano Pavarotti, Giuseppe Morresi, National Philharmonic Orchestra, Riccardo Chailly to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
'A vucchella | Francesco Paolo Tosti, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Anton Guadagno | F Major | 1 | 7B | 81 BPM | ||
Rigoletto - Questa O Quella | Luciano Pavarotti | A♭ Major | 2 | 4B | 111 BPM | ||
Verdi: Aida, Act 2: "Ma tu, Re, tu signore possente" (Amonasro, Aida, Schiave, Prigionieri, Ramfis, Sacerdotesse, Amneris, Il Re, Popolo) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | G Minor | 2 | 6A | 107 BPM | ||
Rigoletto / Act 2: "Possente amor" | Giuseppe Verdi, Luciano Pavarotti, Ambrosian Opera Chorus, London Symphony Orchestra, Richard Bonynge | D Major | 4 | 10B | 135 BPM | ||
La Gioconda / Act 1: Maledici? sta ben | Amilcare Ponchielli, Sherrill Milnes, Regolo Romani, Montserrat Caballé, National Philharmonic Orchestra, Bruno Bartoletti | A Minor | 0 | 8A | 164 BPM | ||
La traviata / Act 3: "Ah, non più!" - "Ah! Gran Dio! Morir sì giovine" | Giuseppe Verdi, Cheryl Studer, Luciano Pavarotti, Metropolitan Opera Orchestra, James Levine | G Major | 1 | 9B | 64 BPM | ||
Se Bastasse Una Canzone | Luciano Pavarotti, Eros Ramazzotti, Steve Gadd, Pino Palladino, Rob Mathes, Robbie Kondor, Orchestra filarmonica di Torino, Marco Boemi | C Major | 7 | 8B | 172 BPM | ||
Il Trovatore / Act 2: "Stride la vampa!...Mesta è la tua canzon!" | Giuseppe Verdi, Marilyn Horne, Luciano Pavarotti, Peter Knapp, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | C Major | 1 | 8B | 83 BPM | ||
Norma / Act 1: Norma viene | Vincenzo Bellini, Welsh National Opera Chorus, Welsh National Opera Orchestra, Richard Bonynge | E♭ Major | 3 | 5B | 79 BPM | ||
Andrea Chénier / Act 4: "Come un bel dì di maggio" | Umberto Giordano, Jonas Kaufmann, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Minor | 3 | 11A | 80 BPM |
Section: 0.6969292163848877
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