"The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria)" by Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister was released on February 3, 2017. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 4 out of 15 in Aida by Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Based on our statistics, The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Snow Maiden / Prologue: "S podruzhami po yagoda khodit" (The Snow Maiden's Aria) by Nikolai Rimsky-Korsakov, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister is Allegro (fast, quick, and bright), since this song has a tempo of 129 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Chulapona: "Ese Pañuelito Blanco" | Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal | D♭ Major | 4 | 3B | 82 BPM | ||
Птица белая | Aida Garifullina | A♭ Major | 5 | 4B | 85 BPM | ||
Wesendonck Lieder, WWV 91: Träume | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | A♭ Major | 1 | 4B | 76 BPM | ||
La Gioconda / Act 1: "Voce di donna o d'angelo" | Amilcare Ponchielli, Olga Borodina, Orchestra of the Welsh National Opera, Carlo Rizzi | E♭ Major | 1 | 5B | 78 BPM | ||
Chants d'Auvergne, Vol. 1: No. 1. La Pastoura Als Camps (The Shepherdess in the Fields) | Joseph Canteloube, Véronique Gens, Orchestre National de Lille, Jean-Claude Casadesus | C Minor | 1 | 5A | 62 BPM | ||
4 Melodies, Op. 39: No. 4, Les roses d'Ispahan | Gabriel Fauré, Kathleen Battle, James Levine | D Major | 0 | 10B | 80 BPM | ||
Vado, ma dove? oh Dei!, K. 583 | Wolfgang Amadeus Mozart, Kiri Te Kanawa, Vienna Chamber Orchestra, György Fischer | C Major | 1 | 8B | 126 BPM | ||
Madama Butterfly / Act II: "Un bel dì vedremo" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM | ||
Eugene Onegin, Op. 24, TH.5 / Act 1: Scene and Arioso. "Kak shchastliv, kak shchastliv ya!" - "Ya lyublyu vas" | Pyotr Ilyich Tchaikovsky, Dmitri Hvorostovsky, Nuccia Focile, Neil Shicoff, Olga Borodina, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 90 BPM | ||
Alluki | Anonymous, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | F Major | 1 | 7B | 174 BPM |
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