"La Chulapona: "Ese Pañuelito Blanco"" by Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal was released on February 11, 2013. With this song being around four minutes long, at 3:56, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Various Artists's "La Chulapona" album is number 3 out of 8. On top of that, United States appears to be the country where this track was created. La Chulapona: "Ese Pañuelito Blanco" is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of La Chulapona: "Ese Pañuelito Blanco" by Teresa Berganza, Pilar Lorengar, Carlos Fagoaga, Joaquin Portillo, Julio Uribe, Selicia Pérez, Mari Carmen Ramirez, Antonio Ayestaran, Charo Ornazabal to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino) | Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna | A♭ Major | 0 | 4B | 181 BPM | ||
Bachianas brasileiras No. 5, W. 389: 1. Aria (Cantilena) | Heitor Villa-Lobos, Nadine Sierra, Royal Philharmonic Orchestra, Robert Spano | F Major | 1 | 7B | 165 BPM | ||
Carmen, WD 31 / Act I: Chanson et Duo: "Près des remparts de Séville" | Georges Bizet, Teresa Berganza, Plácido Domingo, London Symphony Orchestra, Claudio Abbado | D Major | 0 | 10B | 76 BPM | ||
La Wally / Act 1: "Ebben? Ne andrò lontana" | Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri | E Major | 1 | 12B | 87 BPM | ||
El amor brujo - Ballet By G. Martinez Sierra: Canción del amor dolido | Manuel de Falla, Teresa Berganza, London Symphony Orchestra, García Navarro | A Major | 2 | 11B | 58 BPM | ||
Lungi dal caro bene | Giuseppe Sarti, Pumeza Matshikiza, Aarhus Symfoniorkester, Tobias Ringborg | A♭ Major | 1 | 4B | 96 BPM | ||
Il barbiere di Siviglia / Act I: "Largo al factotum" - "Ah, ah! che bella vita!" (Figaro / Figaro, Conte, Rosina, Bartolo) | Gioachino Rossini, Teresa Berganza, Luigi Alva, Enzo Dara, Hermann Prey, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | C Major | 2 | 8B | 135 BPM | ||
Madama Butterfly / Act II: "Un bel dì vedremo" | Giacomo Puccini, Anna Netrebko, Orchestra dell'Accademia Nazionale di Santa Cecilia, Antonio Pappano | F♯ Major | 1 | 2B | 86 BPM | ||
La maja dolorosa I | Teresa Berganza, Juan Antonio Alvares Parejo | D Minor | 0 | 7A | 147 BPM | ||
Il barbiere di Siviglia / Act 1: "Dunque io son" - "Ora mi sento meglio" (Rosina, Figaro / Rosina, Bartolo) | Gioachino Rossini, Teresa Berganza, Hermann Prey, Enzo Dara, Theodor Guschlbauer, London Symphony Orchestra, Claudio Abbado | G Major | 1 | 9B | 120 BPM |
Section: 0.7720842361450195
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