Elektra, Op. 58: "Wo bleibt Elektra?" - Richard Strauss, Valery Gergiev, Ekaterina Popova, Olga Legkova, Ekaterina Sergeeva, Tatiana Kravtsova, London Symphony Orchestra, Lia Shevtsova Information

Acousticness: 87%
Danceability: 18%
Energy: 24%
Instrumentalness: 6%
Liveness: 35%
Loudness: 67%
Speechiness: 5%
Valence: 7%
Popularity: 9%
Loudness: -19.526 dB

Summary

"Elektra, Op. 58: "Wo bleibt Elektra?"" by Richard Strauss, Valery Gergiev, Ekaterina Popova, Olga Legkova, Ekaterina Sergeeva, Tatiana Kravtsova, London Symphony Orchestra, Lia Shevtsova was released on July 2, 2012. Elektra, Op. 58: "Wo bleibt Elektra?" is about six minutes long, preciously at 6:09, making this song fairly long compared to other songs. There are a total of 19 in the song's album "Strauss: Elektra". In this album, this song's track order is #1. Furthermore, we believe that the track originated from United Kingdom. Elektra, Op. 58: "Wo bleibt Elektra?" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Elektra, Op. 58: "Wo bleibt Elektra?" BPM

With Elektra, Op. 58: "Wo bleibt Elektra?" by Richard Strauss, Valery Gergiev, Ekaterina Popova, Olga Legkova, Ekaterina Sergeeva, Tatiana Kravtsova, London Symphony Orchestra, Lia Shevtsova having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Elektra, Op. 58: "Wo bleibt Elektra?" Key

This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Daphnis et Chloé, M. 57: VIII. Lever Du Jour	Maurice Ravel, Valery Gergiev, London Symphony Chorus, London Symphony Orchestra	E Minor	0	9A	92 BPM
War Requiem, Op. 66 / Dies irae: IIa. Dies irae	Benjamin Britten, London Symphony Chorus, The Bach Choir, London Symphony Orchestra	G Major	1	9B	81 BPM
Mother Goose: I. Prélude	Maurice Ravel, Barry Wordsworth, London Symphony Orchestra	G Major	0	9B	84 BPM
Variations on a Theme of Haydn, Op. 56a: III. Variation II, Più vivace	Johannes Brahms, London Symphony Orchestra, Valery Gergiev	F Minor	0	4A	66 BPM
War Requiem, Op. 66: iii. Requiem Aeternam - "What passing-bells for these who die as cattle?"	Benjamin Britten, Gianandrea Noseda, Ian Bostridge, London Symphony Orchestra	D♭ Major	0	3B	80 BPM
Elektra, Op. 58, TrV 223: "Elektra!" / "Schweig, und tanze."	Richard Strauss, Marianne Schech, Inge Borkh, Staatskapelle Dresden, Karl Böhm	D♭ Major	5	3B	179 BPM
4 Letzte Lieder, TrV 296: No. 2, September	Richard Strauss, Kiri Te Kanawa, Andrew Davis, London Symphony Orchestra	D Major	2	10B	95 BPM
Swan Lake, Op. 20 - Mariinsky Version / Act 1: Scene 2: Danse générale (Tempo di valse)	Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Valery Gergiev	A Major	2	11B	99 BPM
Symphony No.1 in E Major, Op. 26: I. Lento	Alexander Scriabin, London Symphony Orchestra, Valery Gergiev	E♭ Major	2	5B	139 BPM
Rhapsody On a Theme of Paganini, Op. 43: V. Variation XVIII	Sergei Rachmaninoff, Valery Gergiev, Mariinsky Orchestra, Denis Matsuev	D♭ Major	0	3B	175 BPM

ISRC: GBDGQ1020101
Label: L-M Records/RCA Records

Section: 0.6810188293457031

End: 0.686286211013794