"Mother Goose: I. Prélude" by Maurice Ravel, Barry Wordsworth, London Symphony Orchestra was released on January 1, 2005. The duration of Mother Goose: I. Prélude is about 3 minutes long, at 3:28. Based on our data, "Mother Goose: I. Prélude" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 26 in the song's album "Saint-Saëns: Carnival of the Animals; Bizet: Jeux d'enfants; Ravel: Mother Goose". In this album, this song's track order is #20. Furthermore, we believe that the track originated from United Kingdom. Mother Goose: I. Prélude is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Mother Goose: I. Prélude by Maurice Ravel, Barry Wordsworth, London Symphony Orchestra having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Symphony No. 1 in D Minor, Op. 13: III. Larghetto | Sergei Rachmaninoff, Valery Gergiev, London Symphony Orchestra | C Minor | 0 | 5A | 75 BPM | ||
Lascia Ch' io Pianga | George Frideric Handel, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 3 | 10B | 173 BPM | ||
Pelléas et Mélisande, Op.80: 6. Molto adagio | Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa | D Minor | 0 | 7A | 82 BPM | ||
Eine Alpensinfonie: II. Der Anstieg - Eintritt in den Wald | Richard Strauss, Bernard Haitink, London Symphony Orchestra | E♭ Major | 0 | 5B | 80 BPM | ||
Ein Heldenleben, Op. 40, TrV 190: The Love Scene | Richard Strauss, Chicago Symphony Orchestra, Bernard Haitink | F♯ Major | 1 | 2B | 76 BPM | ||
Symphony No. 6 in D Major, Op. 60: III. Scherzo (Furiant). Presto | Antonín Dvořák, London Symphony Orchestra, Sir Colin Davis | G Major | 5 | 9B | 119 BPM | ||
Elgar: Variations on an Original Theme, Op. 36, "Enigma": I. C.A.E. (The Composer's Wife). L'istesso tempo | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | G Minor | 1 | 6A | 98 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 2, L'istesso tempo | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Alexander Knox, Ceri-lyn Cissone | G Minor | 1 | 6A | 78 BPM | ||
Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish": 3. Adagio | Felix Mendelssohn, London Symphony Orchestra, Peter Maag | A Major | 1 | 11B | 96 BPM |
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