Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Alexander Knox, Ceri-lyn Cissone's 'A Midsummer Night's Dream, Incidental Music, Op. 61: No. 2, L'istesso tempo' came out on February 3, 2017. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, The Monteverdi Choir's "Mendelssohn: A Midsummer Night's Dream" album is number 5 out of 13. A Midsummer Night's Dream, Incidental Music, Op. 61: No. 2, L'istesso tempo is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op. 61: No. 2, L'istesso tempo by Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Alexander Knox, Ceri-lyn Cissone to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Minor is the music key of this track. Because this track belongs in the G Minor key, the camelot key is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 2 in D Major, Op. 43: III. Vivacissimo - | Jean Sibelius, New Zealand Symphony Orchestra, Pietari Inkinen | G Major | 1 | 9B | 122 BPM | ||
Requiem: VIII. Ingemisco | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Stuart Neill | E♭ Major | 0 | 5B | 86 BPM | ||
Masquerade: Waltz | Aram Khachaturian, London Symphony Orchestra, Yuri Ahronovitch | C Major | 3 | 8B | 95 BPM | ||
End Credits | James Horner, London Symphony Orchestra | G Major | 0 | 9B | 62 BPM | ||
Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: III. Moderato (alla Pollacca) | Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan | F♯ Minor | 0 | 11A | 73 BPM | ||
Manfred, Op. 115: Overture | Robert Schumann, London Symphony Orchestra, Yondani Butt | E♭ Minor | 2 | 2A | 136 BPM | ||
Piano Concerto No.4 in G minor, Op.40: 1. Allegro vivace (Alla breve) | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | E♭ Major | 1 | 5B | 67 BPM | ||
Pelléas et Mélisande, Op. 80: 4. Molto Adagio | Gabriel Fauré, Academy of St. Martin in the Fields, Sir Neville Marriner | D Minor | 0 | 7A | 81 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
The Creation, Hob.XXI,2: Pt. 3, Praise the Lord, Ye Voices All! | Joseph Haydn, Handel & Haydn Society, Sarah Tynan, Jeremy Ovenden, Matthew Brook, Margaret Lias, Harry Christophers | B♭ Major | 5 | 6B | 114 BPM |
Section: 0.6757774353027344
End: 0.6811246871948242