"Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: III. Moderato (alla Pollacca)" by Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan was released on August 25, 2014. With this song being about 5 minutes long, at 4:50, "Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: III. Moderato (alla Pollacca)" by Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 7 out of 9 in Dvořák: Symphony No. 6. American Suite, Op. 98b by Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan. Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: III. Moderato (alla Pollacca) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite in A Major 'American Suite', Op. 98b, B. 190: Suite in A Major 'American Suite', Op. 98b, B. 190: III. Moderato (alla Pollacca) by Antonín Dvořák, Luzerner Sinfonieorchester, James Gaffigan is Adagio (slowly with great expression), since this song has a tempo of 73 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
F♯ Minor is the music key of this track. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tannhauser: Overture | Richard Wagner, Slovak Philharmonic, Michael Halasz | B Major | 0 | 1B | 98 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Symphony No. 1 in A-Flat Major, Op. 55: II. Allegro molto | Edward Elgar, London Symphony Orchestra, Sir Colin Davis | D Major | 1 | 10B | 128 BPM | ||
Souvenir de Hapsal, Op. 2, TH 125: 3. Chant sans paroles | Pyotr Ilyich Tchaikovsky, Valentina Lisitsa | F Major | 0 | 7B | 100 BPM | ||
Piano Concerto No.2 in G minor, Op.22: 2. Allegro scherzando | Camille Saint-Saëns, Jean-Yves Thibaudet, Orchestre de la Suisse Romande, Charles Dutoit | F Major | 1 | 7B | 111 BPM | ||
Saint-Saëns: Piano Concerto No. 5 in F Major, Op. 103 "Egyptian": III. Molto allegro | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | G Major | 0 | 9B | 130 BPM | ||
Liebesbotschaft, S. 560/10 from Schwanengesang | Franz Liszt, Arcadi Volodos | G Major | 0 | 9B | 62 BPM | ||
Also sprach Zarathustra, Op.30, TrV 176: Das Nachtwandlerlied | Richard Strauss, Berliner Philharmoniker, Herbert von Karajan | B Major | 0 | 1B | 66 BPM | ||
Karelia Suite, Op. 11: II. Ballade (Tempo di menuetto) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | A Minor | 0 | 8A | 87 BPM | ||
Piano Concerto No.4 in G minor, Op.40: 1. Allegro vivace (Alla breve) | Sergei Rachmaninoff, Vladimir Ashkenazy, London Symphony Orchestra, André Previn | E♭ Major | 1 | 5B | 67 BPM |
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