"Also sprach Zarathustra, Op.30, TrV 176: Das Nachtwandlerlied" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan was released on January 1, 1995. With this song being about 5 minutes long, at 5:04, "Also sprach Zarathustra, Op.30, TrV 176: Das Nachtwandlerlied" by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 12 in the song's album "Strauss, R.: Also sprach Zarathustra; Till Eulenspiegel; Don Juan; Salome's Dance Of The Seven Veils". In this album, this song's track order is #9. Also sprach Zarathustra, Op.30, TrV 176: Das Nachtwandlerlied is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Also sprach Zarathustra, Op.30, TrV 176: Das Nachtwandlerlied by Richard Strauss, Berliner Philharmoniker, Herbert von Karajan having a BPM of 66 with a half-time of 33 BPM and a double-time of 132 BPM, we would consider this track to have a Larghetto (rather broadly) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song has a musical key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Pines Of Rome, P. 141: 3. The Pines Of The Janiculum | Ottorino Respighi, Berliner Philharmoniker, Herbert von Karajan | E Major | 0 | 12B | 84 BPM | ||
Shostakovich: Violin Concerto No. 1 in A Minor, Op. 77: II. Scherzo. Allegro | Dmitri Shostakovich, Maxim Vengerov, Mstislav Rostropovich, London Symphony Orchestra | E♭ Major | 7 | 5B | 160 BPM | ||
Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F♯ Major | 0 | 2B | 69 BPM | ||
Symphonie fantastique, Op. 14, H 48: II. Un Bal | Hector Berlioz, London Symphony Orchestra, Sir Colin Davis | A Major | 1 | 11B | 113 BPM | ||
Parsifal, WWV 111 - Suite: Compiled By Claudio Abbado: Karfreitagszauber | Richard Wagner, Berliner Philharmoniker, Claudio Abbado | B Major | 0 | 1B | 68 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": I. Andante con moto - Allegro un poco agitato - Assai animato - Andante come prima | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Symphony No. 3 in A Minor, Op. 56, MWV N 18 - "Scottish": III. Adagio | Felix Mendelssohn, Berliner Philharmoniker, Herbert von Karajan | A Minor | 2 | 8A | 95 BPM | ||
Feuersnot, Op. 50, TrV 203: Love Scene | Richard Strauss, Neeme Järvi, Royal Scottish National Orchestra | E♭ Major | 1 | 5B | 131 BPM | ||
Concerto for Orchestra, Sz. 116: IV. Intermezzo interrotto (Allegretto) | Béla Bartók, Chicago Symphony Orchestra, Pierre Boulez | D Major | 1 | 10B | 73 BPM | ||
Barber: Adagio for Strings | Samuel Barber, Sir Simon Rattle, Berliner Philharmoniker | B♭ Minor | 1 | 3A | 73 BPM |
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