"Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua" by Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel was released on December 2, 2016. The duration of Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel, Pyotr Ilyich Tchaikovsky's "Mussorgsky: Pictures At An Exhibition" album is number 13 out of 17. On top of that, Germany appears to be the country where this track was created. Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pictures at an Exhibition (Orch. Ravel): VIIIb. Cum mortuis in lingua mortua by Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel to be Adagio (slowly with great expression) because the track has a tempo of 69 BPM, a half-time of 34BPM, and a double-time of 138 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Carmen Suite No. 1 (Arr. E. Guiraud): I. Prélude | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 2 | 6A | 114 BPM | ||
La traviata / Act 1: Prelude | Giuseppe Verdi, Wiener Philharmoniker, Carlo Rizzi | B Major | 0 | 1B | 127 BPM | ||
Dolly, Op.56: 4. Kitty-Valse | Gabriel Fauré, Katia Labèque, Marielle Labèque | E♭ Major | 1 | 5B | 101 BPM | ||
Mendelssohn: Violin Concerto No. 2 in E Minor, Op. 64: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | C Major | 1 | 8B | 96 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: II. Scherzo: Allegro | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | G Major | 2 | 9B | 115 BPM | ||
Tristan und Isolde / Act 1: "Westwärts schweift der Blick" | Richard Wagner, Waldemar Kmentt, Birgit Nilsson, Regina Resnik, Wiener Philharmoniker, Sir Georg Solti | G Minor | 1 | 6A | 84 BPM | ||
Entr'acte-Valse | Joseph Hellmesberger, Jr., Christian Thielemann, Wiener Philharmoniker | E Major | 0 | 12B | 181 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 1st Movement - Allegro maestoso (Totenfeier): (English horn) | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Major | 0 | 12B | 112 BPM | ||
21 Hungarian Dances, WoO 1: Hungarian Dance No. 6 in D-Flat Major | Seattle Symphony Orchestra, Johannes Brahms, Gerard Schwarz | D Major | 1 | 10B | 81 BPM | ||
Pictures At An Exhibition (Orch. Ravel): 8a. Catacombae (Sepulchrum Romanum) | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | B Minor | 0 | 10A | 71 BPM |
Section: 0.6201138496398926
End: 0.6241164207458496