"Dolly, Op.56: 4. Kitty-Valse" by Gabriel Fauré, Katia Labèque, Marielle Labèque was released on January 1, 2015. The duration of Dolly, Op.56: 4. Kitty-Valse is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Dolly, Op.56: 4. Kitty-Valse's duration is considered a little bit shorter than the average duration of a typical track. The song is number 4 out of 16 in Fauré: Dolly Suite; Nocturnes; Barcarolles; Impromptus by Gabriel Fauré, Katia Labèque, Marielle Labèque, Pascal Rogé. In terms of popularity, Dolly, Op.56: 4. Kitty-Valse is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Dolly, Op.56: 4. Kitty-Valse by Gabriel Fauré, Katia Labèque, Marielle Labèque is Andante (at a walking pace), since this song has a tempo of 101 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
24 Preludes For Piano, Op.11: No. 12 In G Sharp Minor | Alexander Scriabin, Yuja Wang | A♭ Minor | 0 | 1A | 73 BPM | ||
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
L'Arlésienne Suite No.1: Adagietto | Georges Bizet, Berliner Philharmoniker, Herbert von Karajan | F Major | 0 | 7B | 112 BPM | ||
Saint-Saëns: Piano Concerto No. 2 in G Minor, Op. 22: II. Allegro scherzando | Camille Saint-Saëns, Bertrand Chamayou, Emmanuel Krivine, Orchestre National De France | F♯ Minor | 0 | 11A | 84 BPM | ||
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio | Max Bruch, Maxim Vengerov, Kurt Masur, Gewandhausorchester Leipzig | E♭ Major | 1 | 5B | 110 BPM | ||
8 Slavonic Dances, Op. 72, B.147 - For Piano Duet: No. 5 in B Flat Minor (Poco adagio) | Antonín Dvořák, Katia Labèque, Marielle Labèque | F♯ Major | 2 | 2B | 87 BPM | ||
Lieder ohne Worte, Op.19: No. 2 In A Minor (Andante espressivo), MWV U 80 | Felix Mendelssohn, Daniel Barenboim | A Minor | 0 | 8A | 131 BPM | ||
Piano Quartet in E flat, Op.47: 3. Andante cantabile | Robert Schumann, Beaux Arts Trio, Samuel Rhodes | B♭ Major | 0 | 6B | 67 BPM | ||
Paraphrase de concert sur Rigoletto, S. 434: Preludio. Allegro - Andante - Presto | Franz Liszt, Daniel Barenboim | D♭ Major | 2 | 3B | 64 BPM | ||
Jazz Suite No. 2: 4. Waltz I | Dmitri Shostakovich, Concertgebouworkest, Riccardo Chailly | B♭ Major | 2 | 6B | 178 BPM |
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